Banger Factory returns with a new installment featuring Five Construction Kits complete with Drums and Melodies to get you going! This pack has everything you need to have radio bangers! Ready to be chopped, picth bent, or even reversed, these loops have no limit. You can own these quality sounds Royalty–Free, just load them into your DAW or sampler and work.
• Ambient Droplets is a sample pack like no other. Through the detailed processing of brass and stringed instrument recordings, new textures and hidden details have been exposed to create the most wonderful and unique collection of organic samples and loops. From the chopped rhythms to the morphing ambient drones, each pattern promotes rhythm and provides abstract 3-D depth to your mixes and tracks.
• Inspired by the sounds of artists like Prince, Psychic Mirrors and Onra, Boogie Haze digs deep into the analog world of classic drum machines, harmonically rich poly-synths and the incredible DX7. Reaching for the original tools of the 80’s, this all analog funk loops masterclass serves up those classic chords and tones we all know and love in a format that works for producers around the globe.
comes up with another special package focussed on modern Techno Basslines which are optimized for maximum impact on the dancefloor. You can find 50 Bass Loops which are key labeled and mostly 2bars long. 24bit WAV / 44.1khz
“They Call’Em – Tim” is the first of a exiting new series. This series will have a unique mission: to give you the signature sounds of superstar artists and producers. The first pack of this series brings you heavy hip hop sounds inspired by none other than Timbaland. Get your hands on those unique loops and contagious grooves.
Austrian Grand piano was sampled from a 100 year old Bruder Mikula Wien Austrian grand through a pair of AEA R84 ribbon microphones into an AEA TRP ribbon microphone preamp. Prior to recording, the piano’s hammer felts were sanded down to warm them up a bit. The piano was sampled in stereo under the lid, because that’s where the tone sounded best, at a sample rate of 44.1 kHz. It took many weeks to sample the piano entirely, as it was in such a state that most of the tuning pegs could no longer hold a pitch for any length of time. The piano was sampled labriously, with the softest to loudest dynamics being played, resulting in a library that can boast 10 velocity layers and 2 note round-robin.
