The Orchestra Complete 4

Team ViP | 18 July 2025 | 27.04GB

Powerful orchestral scoring. Minimal friction.

THE ORCHESTRA COMPLETE 4 is the complete solution for modern composers who want to create cinematic, emotional orchestral pieces quickly and flexibly. The innovative Ensemble Engine transforms simple chords into lively, fully orchestrated arrangements in real time. Every instrument is also available individually, with hundreds of articulations for maximum control. With over 1,150 carefully crafted ensemble presets and more than 300 individual instruments, THE ORCHESTRA COMPLETE 4 offers the full 80-piece orchestra, complemented by harp, piano, glockenspiel, harpsichord, celesta, organ, choir, and percussion. This gives you all the tonal colors you need for your scores right at your fingertips. The enhanced Keyswitch system allows up to four different musical sections per preset. This lets you easily build dynamic, evolving scores. With the Add-8va function, you can add an octave to your sound, creating more depth and dimension.

Amateur Orchestra KONTAKT

P2P | 17 November 2025 | 2.34GB

Sometimes when I record an acoustic guitar or piano with a singer songwriter and want to add orchestral elements to it, I want to feel like it’s recorded in the same environment by the same kind of player. I might want it to sound like someone pulling an old instrument out of the attic and blowing a few notes for a unique texture, or picking up an instrument for the first time and just seeing what happens. The attacks are inconsistent, the tuning isn’t perfect and the air comes and goes. That’s what Amateur Orchestra is for. The DIY orchestral sound at your fingertips. There is a really wide range of tones here and a lot of niche instruments and beginner instruments were sampled for more options. From plastic brass to contrabassoon to someone trying a cello bow for the first time to someone who hadn’t picked up a trumpet in 20 years. None of these are perfect recreations of any instrument. Just a really big collection of colors to choose from that get you to a place where it’s clearly not your big city philharmonic.

Brave Techno WAV

OCTOPUS | 17 November 2025 | 145MB

Get ready to break the boundaries of sound with Brave Techno, a collection that’s all about bold, peak-time energy. Packed with 200 powerful sounds, this pack is designed for those moments when the dancefloor is craving intensity. Drawing inspiration from heavyweights like Adam Beyer, Alan Fitzpatrick, Joyhauser, Umek, Jay Lumen, and Layton Giordani, this pack gives you everything you need to build tracks that dominate the peak techno genre.

Soul Choir LEAP EXPANSiON

HiDERA | 17 September 2025 | 239MB

Soul Choir Explore rich, organic vocal textures that deliver warmth, depth, and human emotion – soulful harmonies, vibrant vocal riffs, and expressive ad-libs.

Tech House: Groove Sessions

FANTASTiC | 22 January 2026 | 117.33 MB

‘Tech House Groove Sessions Vol 1’ brings you a set of five Construction Kits inspired by artists such as Chris Lake, Fisher, Dennis Cruz, Sonny Fodera, Gorgon City, Green Velvet and many more.

ROCK-BOX EDVH IRs

P2P | 23 May 2025 | 5 MB

The Rock-Box EDVH impulse response library captures and is seeking to recreate the sound of Celestion@ G12-EVH speakers loaded in Rock-Box cabinets. Impulse response files are provided in Wave Audio Format (.wav), and have been minimum phase transformed using a proprietary algorithm. Various unique construction choices were implemented to accomplish this complex requirement set to outstanding result, providing a tone with clean low end, magical midrange, smooth high end, and incredible note clarity across the entire spectrum.

Degradation Engine KONTAKT

OHSiE | 23 March 2025 | 230 MB

Disintegration at your Fingertips

Degradation engine introduces the vibrant heart of an analogue synth to the fractured forgetfulness of microcassette – and opens up a deep world in between. Degradation engine works very similarly to a regular subtractive synth – you get your filter, an ADSR, a mixer, and some handy effects. what sets it apart is its two oscillators, which each have two knobs controlling “loss”. These knobs fade between the oscillator’s raw signal and a degraded version sampled through a microcassette tape – so, with each oscillator, you can choose any point between a raw analogue waveform and total tape fragility. not only this, but each oscillator has two types of degradation, with the samples recorded both at full-speed and half-speed. full-speed has a more brittle sound whereas half-speed is warmer and rounder – and again, you can go anywhere between these two extremes and bearing in mind that there are two waveforms per oscillator, it gets very deep very quickly…