Elements Guitar KONTAKT

DiSCOVER | 18 JANUARY 2016 | 283 MB

Elements Guitar is a modern tool for writing and augmenting compositions. The library is divided into 2 core folders: “Natural” and “Synthetic”. In “Natural” instead of usual articulations like sustains, mutes and slides we recorded different taps, clacks, glitches and “prepared” strings. Also we developed custom synthetic instruments using our clean recordings and collected them in “Synthetic” folder. The library contains 41 patch. Each of them features Flow Engine 2.1.

Synthesis Rhythm Fluids KONTAKT

DiSCOVER | 18 JANUARY 2016 | 297 MB

The library contains rhythmic loops designed with vast range of sound sources Pianos, Guitars, Strings, Woodwinds, found Percussions, analog and digital synthesizers. All recordings were carefully processed and edited to become a unique collection of atmospheric evolving pulses synced to your host BPM. All samples in Synthesis Rhythm Fluids are divided into 3 sound banks Low, Mid and High. Each sound bank also features Flow Engine 2.0 with pitch and velocity sequencers, pan and volume LFOs, 7 FXs and keyswitches system.

Maximum EDM MULTiFORMAT

PiRAT | 16 January 2016 | 970.47 MB

Maximum EDM, a blistering collection of royalty free samples loaded with the freshest floor-filling sounds to get the party jumping. Inside you will find a peak time combination of sleek synths riffs, chunky basslines and punchy drums for a truly powerful modern EDM sample collection. This is the EDM package for 2016 and beyond produced and recorded at 128 BPM, featuring an insane amount of phat and punchy synths, epic and anthemic leads and dynamic choppy percussion. Loops, One Shots, MIDI files and Sampler Patches are all present with every sonic component you will need for Synths, Drums, One Shots, FX, Risers, Vocals, Basses and more.

Swedish Key Harp MULTiFORMAT

Team: SPiRiT | 28.08.2010 | Size: 204.1 MB

FORMAT: KONTAKT/HALiON/SF2/Structure

Typical Swedish hand crafted Key harp “Nyckelharpa” probably most known by Swedish folk music lovers. The “cross over” world music instrumentalist Asa Jinder has made the sound of “Nyckelharpa” more wildly spread & are probably the most famous Key harp player.

Optical Techno MULTiFORMAT

FANTASTiC | 08 January 2016 | 1.03 GB

‘Optical Techno’ is designed for producers of Techno, Electronica, House or Film Score and comes packed with a stunning collection of sounds, loops, samples and sampler presets just waiting for you to add your touch. This is a truly inspiring and unique sample library for the production connoisseur.  Inside you will be delighted by an expertly produced set of full fat analogue synths, space echo effects, found-sound recordings, dusty chord stabs, analogue grain, manipulated percussion and ambient Dub sounds. Melody ideas intertwine with exciting processed sound experiments and intricate found-sound rhythms to generate new possibilities for layering and manipulation.  Choose between Apple Loops, 24-Bit WAV and ACID Loops to download. Inside each download sample pack you will find sampler instruments for EXS24, Sonar SFZ, MachFive, Ableton Sampler, Kontakt, Reason NNXT and Halion. All loops and samples are 100% Royalty-Free and ready to roll.

Havoc Guitars KONTAKT

SYNTHiC4TE | Jan 11 2016 | 924 MB

Havoc Guitars is a collection of cinematic inspired resynthesized, processed and prepared guitar recordings for cinematic scoring and epic trailer music. Standing 1.4 gigabytes, Havoc Guitars features include 40 sound patches ranging from chords,loops,melodic instruments and gritty prepared fx great for horror scoring. Its two channel engine offers independent controls for amplitude,filters,stereo width,semi(pitch),key range,delay and reverse.

Colossal Toms KONTAKT

DiSCOVER | 11 JANUARY 2016 | 2.53 GB

“Colossal Toms”, an ensemble of eight separately playable toms, with tunings from large and deep to high. One of the things that really makes this library stand out, easy to use, and realistic, is that we tried to max out the velocity layers, so each hit has up to 127 different, separately recorded dynamics. This means, on top of the fact that you virtually eliminate the problem of hearing one sample twice too soon, creating an artificial sound, but you can obtain extremely realistic performances. A loud section can be easily scaled down in dynamics, due to the fact that there are so many velocity layers – see the upcoming demos for examples of this.