ALCHEMIST Cinematic Impacts is a powerful tool for Kontakt to create deep and complex cinematic sounds. Each instrument is composed of six layers. The library features 1.6GB of sample material (full quality 24 bit Wav files), giving you a lot of combinations and sound colors.
Mallets’ powerful GUI offers all eight instruments on one patch to be edited, played, blended, and recorded together. No sub menus or separate patches. Mallets has all the controls you need at your fingertips!
Production Grand is a sampled Yamaha C7 studio grand piano with EIGHT microphone perspectives recorded through premium studio microphones and microphone preamps such as API and Neve. We recorded the sampling session at 24 bit 96 kHz through a Burl Mothership A/D converter for a richness that is exceptional! You will hear the attention to sonic excellence the moment you play Production Grand. Production Grand comes in three versions at different sample rates and bit rates to suit the situation or system it is played back on. With the extensive number of samples and high sample rate, Production Grand is a versatile piano sample library that is sure to meet the needs of modern performers and producers and will only become more indispensable as solid state technologies become more prevalent.
Traditional Brazilian Percussion – a masterful collection of percussion samples; South American style! These stunning percussion sounds are provided 100% royalty free for your productions and will bring the buzzing vibes of Latin America to your music immediately! Vamos embora! Welcome to the authentic sounds of Deep Brazil with a hotbed of percussion instruments including Surdos, Agogos, Apitos, Caixas, Ganzas, Pandeiros, Rebolos, Reco Reco, Repenique, Repique, Rocar, Tan Tan, Tamborine, Shekere, Snares, Timbao, Berimbau, Chocalho, Conga, Cuicas, Coco, Caxixi, Zabumbas, Triangles, Alfaia, Bells, Abe, Atabaque, Le, Rum, Rumpi and more!
The Vox Continental is probably the most famous of the ‘new breed’ of transistor organs which emerged in the early ’60s. Previously, organs were built around tone-wheel technology. This undoubtedly created a fantastic (classic) organ sound but made the instruments heavy and unwieldy (and expensive). With the advent of transistors, it was possible to create lightweight, portable organs…. in theory. In practice, the majority sounded thin and weak by comparison. However, that sound in itself appealled to the new ‘surf’ and ‘beatnik’ music which was evolving at the time. The portability also appealled to groups. The Vox Continental was unusual in that it actually sounded quite good…. not cheap and cheesy like so many of its rivals.
Cronk-O-Tron (as the name suggests) is a cheap and cheerful thing with a dark and crusty old tone. It’s made up of layers of stuff carefully blended to create a vintage/retro kind of strings/voice pad sound – lo-fi and wobbly. It’s extensively multi-sampled in stereo and each sample was recorded for a minute before having long and luxurious loops applied that allow the sound to ‘breathe’. But there’s another twist…
Once again, we have requisitioned an ageing relic which we have re-fashioned for our purposes. This time, from a 1950s of the future where science fiction and science fact were somewhat blurred … a portable communications device intended for an over-ambitious and abandoned manned mission to Mars… With two oscillators offering a wide variety of true analogue, ring modulated waveforms which can be tuned and mixed, modulated further by a multi-wave LFO and envelope as well as FM and AM modulated, there’s a broad palette of sounds to play with and mix and match before these pass to an ADSR envelope and an array of speaker simulations and lo/hi cut filters to create a wider range of antiquated, retro sci-fi sounds that could have originated in an old black and white B-movie or the early experimental electronic music studios of Europe. These then pass to a comprehensive chain of effects…
