TapeStation KONTAKT

KRock | October 08 2012 | 162 MB

What happens when a ’90s analog synth meets an ’80s tape recorder? We sampled a famous Analogue Bass Synth to tape using a new old stock cassette, and boxed it into a Kontakt Instrument. The original synth produced fat basses and sharp leads, but now the raw tape sounds and unstable pitch add perfect elements for “tron” like sounds. Each waveform (Sawtooth, Square, Pulse 5%) was sampled chromatically from C0 to C7 and each sample is more then 6 seconds long. In the custom Performance View a Saturation and Limiter Input Gain are added to the original synth’s parameters.

Atmospheric Vinyl Breaks MULTiFORMAT

TEAM MAGNETRiXX | 12 December 2013 | 620 MB

With tempos varying from 78 -132 bpm each one of the 30 drum construction kits comes with its own Drum hits, Drum loop parts and Atmospherics, giving you a huge variety of inspirational sounds to deconstruct and rebuild in the studio. These 30 Hip Hop and Downtempo Breaks capture a variety of vibes including live shuffling grooves, dark and moody beats, Gritty grooves and live played experimental breaks. Smashing together mixes of Live Drums, Synthesized Drums and found Percussion all layered up with crackling vinyl samples, spacey atmospheres and ambient layers, they will breathe new life into your productions. It’s not just for the b boys n b girls, it’s a versatile break machine of a pack which sits perfectly in Hip Hop, Trip hop, Trap, Urban, Breakbeat, Chillout, Electronic and Downtempo productions.

Cinematic Percussion 3 MULTiFORMAT

FANTASTiC | May 14 2016 | MULTiFORMAT: 13.8 GB | KONTAKT: 5.2 GB

Apple Loops, Acidized WAV, REX and KONTAKT

Cinematic Percussion 3, the latest in a series of some of the most iconic Cinematic percussion libraries available today. This library contains massive amounts of Cinematic percussion mixed with modern sound design elements that will transport you to different worlds, help you create hair-raising scores, and envelope you in the sonic world that is on the cutting edge of modern cinema.  Cinematic Percussion 3 also includes all original dry recordings of percussion elements giving the producer and mix engineer complete control over rhythmic and wet FX that are so crucial to the sound of today.  15 Construction kits are included ranging from 068-192 BPM jam-packed with percussion and sound design elements that are recorded in the highest quality 24-bit WAV and cut perfectly to bar lines. Cinematic Percussion 3 has been formatted in the most widely-used formats: Apple Loops, Acidized WAV and REX files, making it usable in virtually every piece of software and hardware in use on the market today. In addition this library comes fully formatted for Kontakt as part of the Big Fish Audio KLI 3.0 Series which transforms this loop library into a truly moldable and musical writing instrument.

Cinematic Percussion & Soundbeds

MAGNETRiXX | 01 October 2014 | …

KONTAKT: 2.92 GB | MULTiFORMAT: 7.5 GB

Suspense: Cinematic Percussion and Soundbeds. This revolutionary loop library mixes ancient percussion with cutting edge sound design and melodic elements to create a one of a kind product that is perfect for today’s Film and TV industry. 20 Construction Kits featuring over 5GB of original sample content seamlessly blend Taiko drums, toms, and Caxixi (to name a few) with synth pads, stretched melodic phrases, and electric guitar FX for a sound that will leave jaws dropped and your tracks out in front. Suspense features kits in many different time signatures including 4/4, 5/4, 6/4, and 7/4, making the kits not only easy to use, but diverse as well.  A folder of one-shot samples has also been included to create custom percussion lines and diverse beats. All percussion loops have been recorded dry giving you total flexibility to add the right room that fits your production. Whether you are scoring for the big screen or need the very best sounding atmospheric and percussive elements for your personal projects, Suspense: Cinematic Percussion and Soundbeds is for you.

Kardoni MULTiFORMAT

TEAM DECiBEL | 26 December 2014 | 630 MB

KONTAKT: 208 MB | Live 9: 207 MB | Logic: 215 MB

Kardoni captures the spirit of the original ARP Omni Mk2 in a library of programs that deliver this legend right to your desktop. As one of the most prolific and versatile “stringers” of the late 1970s, the ARP Omni has polyphonic Violin, Viola, Bass and Cello waveforms. It is split into 3 sections: Strings, Synthesizer and Bass synth – all simultaneously available. To emulate the original synthesizer, a restored ARP Omni was expertly recorded, voice by voice, and reverse engineered for Ableton Live, Kontakt and Logic. It even includes the famous chorus, phaser and hollow waveform sounds.

Maximum Force MULTiFORMAT

TEAM MAGNETRiXX | 01 December 2012 | 1.78 GB

Maximum Force has been created by the prodigious talent of a world-class soundtrack and FX producer this library was especially created for projects that require high-impact sound effects (radio station ID, TV promos, bumpers, trailers). All sounds are designed using manipulated field recordings and synthesized sources. Full of awe-inspiring sounds of scope and breadth Maximum Force is the perfect tool for busy post-production facilities, video editors, sound designers, broadcast radio/TV stations and experimental composers. This library is not only for film and games soundtrack creators but is also a goldmine for cutting-edge dance producers who want to add something special to their tracks.

Outer Limits KONTAKT

DYNAMiCS | 01 January 2006 | 4.17 GB

Every patch in this fantastic collection will stimulate your creativity. The range of sounds this library is capable of is truly amazing, from shimmering pads, to mysterious drones, crystalline digital manipulations to dark distorted atmospheres, menacing mechanisms, evocative resonances, surreal sound effects, complex cascades, formant sheens, dark disturbing horror, analogue waves, amazing space textures, strange vocal synthesis and of course, sounds from the Outer Limits of space and time. Patches this complex put many other synths to shame! And of course you can layer them to create incredibly complex soundscapes.