Plugins for Digital Audio Workstation
The real sound of spring reverberations. Six customized classic spring reverb models.
Smasher is an unprecedented custom modification of the classic Urei 1176 compressor circuit, a unique formula that we stumbled upon while fine-tuning other algorithms. The original 1176 compressor hardware offered a selection of four ratios, but studio engineers soon discovered that pressing them all at once led to a distorted, explosive and highly compressed sound. It’s this “All buttons in” or “British” mode that Smasher was painstakingly designed to recreate. While remaining very close to the original circuitry, the modifications we’ve built into Smasher will add definition to transients and make your tone more aggressive. We love using it to enhance the ambience in drum busses, but there are many more creative uses too. Smasher won’t work on every single track, but where it does, it works magic. Smasher excels at raw and gritty sounds, calling to mind bands like Vulfpeck, The Whitefield Brothers and The Black Keys.
Plugins for Digital Audio Workstation
Plugins for Digital Audio Workstation.
ULTIMATE EQ PLUGIN WITH SUPERB DYNAMIC PROCESSING AND VINTAGE MODELS Kirchhoff-EQ is an ultimate 32-band parametric EQ plugin built for all critical professional applications. It has refined sound quality, analogue-matched curves, 15 filter types with continuously variable shape and 32 vintage EQ types modeled from real-world devices. The builtin dynamic processing functions are highly flexible and have ultra-low distorion. All these push Kirchhoff-EQ to a next-generation standard.
The Echorec is a software emulation of the iconic echo/delay unit of the same name produced by the Italian brand Binson in the 1960s. The sound of this magnetic disk delay differs from the tape delays used at the time, and has largely contributed to the audio signature of many 70s bands: Pink Floyd, The Shadows, Jimmy Page etc. Vintage Echorec devices are known for their saturation, self-oscillation, and oversound, all shaping the music produced in the 70s. They are also, however, known to be fragile and difficult to maintain.
