Dust v1.1.8 WiN MAC

Team FLARE | 18 April 2021 | WiN: 177 MB | MAC: 237 MB

…::: AU, AAX*, VST2, VST3, x86, x64 :::…

DUST creates a sonic soundscape never thought possible before. When you start creating with it, you’ll see just what it means to lose joyful hours exploring it’s capabilities. DUST is a synthesizer plugin based on a real-time particle simulation, where each particle is a separate granulating sound source. The motion of each particle is determined by the flow field, which determines the force applied to each particle at each point. Just like how the flow of a river determines the path of a leaf floating down in it. This is our most ambitious software release to date, and you are going to love it! Not only is DUST addictive to play with, but it generates some of the coolest sounds ever created.

Loudness Penalty v1.7.0 WiN MAC

Team FLARE | 16 June 2021 | WiN: 6.15 MB | MAC: 10.8 MB

…::: AU, AAX, VST :::…

Online streaming services turn down loud music to ensure a more consistent listening experience. The Loudness Penalty plugin tells you how much your music will be turned down by YouTube, Spotify, TIDAL, Pandora and Apple’s Sound Check. Now you can have immediate access to this information right in your DAW. Spot the moments that trigger the biggest penalty, and tweak your settings to avoid them, while retaining impactful, punchy playback. Confidently assess how your music will play back online. With Loudness Penalty, you can…

V Collection 7.2.1 WiN

Team R2R | 08 Aug 2020 | 7.02 GB

…::: VST, VSTi, VST3, AAX*, STANDALONE :::…

The latest edition of V Collection: their flagship anthology of reimagined historic synths and keyboards. Containing 24 software instruments and thousands of preset sounds, V Collection 7 is billed as “the must-have reference for musicians, producers, sound designers, and keyboard fans”.

TDR Limiter 6 GE v1.2.3 MAC

SPTNDC | 16 June 2021 | 26 MB

PLATFORM : 64Bit – AU/VST/AAX

TDR Limiter 6 GE is a modern dynamics compression and limiting toolkit featuring six specialized modules that can be arranged in variable order. Together, they cover a remarkable range of applications from delicate loudness control, to brutal “brick-walling” and creative mix bus crunching.

SampleX v1.1.0 WiN MAC

Team RET | 11 Aug 2020 | WiN: 24.2 MB | OSX: 87.5 MB

“Vintage Sampler Emulator”

(Available in AU/VSTi/AAX – WiN/OSX)

SampleX brings you accurately modeled vintage sampler emulation. Dial-in the sample rate, bit rate, aliasing, input drive and filter settings to sound like any sampler, or design your own! Multiple sampler emulation presets already included. In today’s advanced age of music tools that seek the “cleanest”, most “perfect” sounds, there has suddenly been a desire for the “Gritty” sounds of the machines of the past. Once such quest has been the acquisition of old, primitive samplers and sample drum machines like the EMU SP1200, AKAI s900/950, and others. This has increased the rate of these machines to 10s of thousands of dollars. The sound that producers and artists seek in these boxes is usually the low bit rates and sample rates resulting in an “aliased” sound or “artifacts” as we now call them. These limitations of the vintage machines have now become very desired and sought after sound. Just sample rate reduction and “Bit crushers” have yet to actually sound like old machines.

CRTIV Chorus v1.3 WiN MAC

Team R2R | 9 August 2020 | WiN: 5.7 MB | OSX: 13.7 MB

(AU,VST,VST3,AAX*,x86,x64)

CRTIV Chorus is a stereo chorus effect AAX, AU and VST plugin for professional music production applications. Chorus is able to produce stereo-widening and weird modulation effects. Chorus plugin uses 4 operators for each channel thus creating a quite dense stereo chorus sound.

BMS v2.4 WiN MAC

Team R2R | 9 August 2020 | WiN: 5.5 MB | OSX: 13 MB

WiN32/64: VST/VST3/AAX | MAC: AU/VST/VST3/AAX

BMS is a bass management system AAX, AudioUnit and VST plugin for professional surround sound applications. BMS is able to extract and manipulate low-frequency content of non-LFE channels in up to 7.1 surround configurations. The main purpose of BMS is to simplify evaluation of low-frequency content present in non-LFE channels during mastering. At the same time, it is possible to mix extracted low-frequency content to the LFE (“Low Frequency Effects”) channel. An option to remove the extracted signal from non-LFE channels is also available. In BMS you can specify a desired frequency of the crossover filter, and adjust its steepness.