2021 PLUGiNS BUNDLE 2 R2R
TEAM R2R | 🌟HAPPY NEW YEAR!🎉 | 16.67 GB
.: AAX, STANDALONE, VST2, VSTi, VST3: x64 :.
100!! Super Great Plugins!
Viewed 29170 By Music Producers & DJ´s.
100!! Super Great Plugins!
Spectrum is a VST, AU and AAX multi channel spectrum analyzer plugin that allows you to inspect the frequency content of your mixes. It’s ideal to find clashing frequencies and to cleanup your mix. It supports input from multiple channels: just drop an instance at each point in your signal chain you want to measure.
SynthMaster One is an easy to use wavetable synthesizer with an intuitive workflow. Although it shares the same engine with its bigger brother SynthMaster, it comes with new features like wavetable synthesis. With its simple layout, rich wavetable/waveform content and inspiring factory presets library, designing new sounds with SynthMaster One is a real joy. Watch our videos, listen to the audio demos and you’ll see how easy it is to design sounds with this synth.
GlissEQ is a parametric equalizer AAX, AU and VST plugin for professional music production applications. The most interesting and unique feature of GlissEQ is the dynamic behavior of its filters. To understand dynamic filtering, let’s begin by re-stating something probably obvious about a normal equalizer: you always get what you set. In other words, when you specify a 6 dB boost at 100 Hz you get exactly 6 dB of boost at 100 Hz. But GlissEQ is different. When you specify a 6 dB boost at 100 Hz, you don’t necessarily get a 6 dB increase in gain. Instead, the filter’s effective gain is adjusted dynamically according to the program material. That is what we mean by dynamic filtering and it is the key to GlissEQ.
85 Super Great Plugins!
Its focus is on creating extreme tape artifacts. The inspiration for Bad Tape came from denise team member Enrico ‘nrec’ Tiberi: “I was using a lot of my old Akai 4000 DS MK2 reel to reel tape recorder pressing the tape to slow it down as an effect and that made me want a plugin that could control how to break the sound without having to use my fingers each time and without all the cables and fuss that analog hardware inevitably brings”. Combining a good old vintage tape sound with harming features makes Bad Tape a creative and versatile tool. Want an “out of tune and off the grid” beat or a wonky drum groove? Just keep the detune button pressed and it will create a tape-stop in real time. Press it shortly for slight slow-downs and speed-ups, or use wow and shake to make it go in and out of tune and go off grid periodically. Use the mix knob to create tracks that are heavily saturated and detuned, with additional interesting tape artifacts like hiss, squeal and harm. Bad Tape can be used to color and detune your whole track, or it can be applied to just one bar at the end of a section to help introduce some variation and lead in the next section of your song.
Zebra is our wireless modular synthesizer. It combines many different types of synthesis with a powerful modulation engine. Imagine — you can create any additive, freehand or spline-based waveform you like, apply a vast selection of spectral effects, morph between those waves and send them through classic synth filters. Perhaps use that entire sound as modulator for an FM oscillator, or route it through a comb filter — the building block of physical modeling synthesis. All generator modules, all signal paths, all effects are stereo.