Spectrum 2 is a VST, VST3 and AAX multi channel spectrum analyzer plugin that allows you to inspect the frequency content of your mixes. It’s ideal to find clashing frequencies and to cleanup your mix. It supports input from multiple channels: just drop an instance at each point in your signal chain you want to measure.
Different monsters for different genres: the Gorilla plugin includes 3 preamps and the simulation of 3 studio standard bass amps.
The craftsmanship of Hardware Amplifiers meets the versatility of DSP. And it all starts with Mr. Hector a well-known and universally loved boutique amplifier from Laboga. Digitally recreated. Tuned to perfection. Every detail profiled for accurate, familiar sound.
New reference in the simulation of spring reverbs. Based on a mixed convolution and algorithmic technology, SpringAge can give the advantages of the two worlds. If you have never been able to get the real tone and dynamic of a spring reverb out of a plugin, then you need to check it out. With three spring models, taken from the most standard and acclaimed vintage and modern gears, SpringAge always gives you the perfect tone on any kind of instrument, ranging from guitars to vocals, keyboards and synthesizer. Your recordings will have that vintage and dynamic reverb tone, that you cannot get from a digital reverberation unit.
Mark Studio 2 is an emulation of the best Markbass amplifiers and cabinets, which includes: • 6 Markbass heads • 9 Markbass cabinets • and a rich pedalboard to complete your rig and unleash your creativity.
FX Collection 5 is a Reference effects for music makers. A selection of 34 studio mixing tools and creative production effects, from authentic analog emulations to innovative modern plugins – engineered to help you discover your unique sound and make it impactful.
More than a decade ago, I made a version of this in WDL (thanks Rob!) to deal with the problem of “one note bass” and dealing with overly loud or overly dead bass notes across the bass fret-board. My mastering engineer ended up using it for far more things, and I have been meaning to update it ever since. In this version, you actually have a limiter per band. In earlier versions, just EQ-ing a hole sometimes caused more problems than it fixed, but now, with the limiter, you can get a hold of the mix when its making trouble and leave it alone when it isn’t! Click “E” (for Enable, were still deciding on the name) in order to enable a band (they are off by default) and “D” in an enabled band to turn on the limiter. Switch octaves with the +/- buttons under the spectrum. Note that the octaves are shown in the spectrum display so you don’t have to do the math.
