MAX For LiVE FX Explored TUTORiAL

SYNTHiC4TE | Nov 10 2013 | 200.67 MB

Ableton Live comes jam-packed with a ton of factory Max FX and Plugins. What do they do? How do they work and how do you use them? Find out right now in this exploratory course by Gary Hiebner… The MAX programming environment is built right in to Ableton Live. Designing your own plugins requires some pretty deep programming skills. No worries, we have some amazing courses to teach you those! However, sometimes the best way to understand how Max For Live works is to explore with plugins that already exist! That’s why this course takes you step-by-step through the factory M4L plugins. It shows you how to deploy them them into your production workflow. You learn how to operate the audio, MIDI and instrument Max plugins that are packaged with Live. We know that once you understand how they work, they’ll inspire you to think about plugins and instruments in a completely new way.

SoundToys Effects Explained TUTORiAL

SYNTHiC4TE | Nov 10 2013 | 267 MB

DEFINITELY NOT TOYS

New series of tutorials tackling the analog sounding professional effect plug-ins from SoundToys! Watch as Scottie explores the Decapitator, Devil Loc, Little Microshift, Radiator, Panman, Tremolator, FilterFreak, PhaseMistress, Crystallizer and Echoboy. They’re all here and Scottie gives you the knowledge you need to get the most out of these amazing plug-ins and more. Scottie kicks the series off with the analog saturation modeler Decapitator. From the subtle ways to use Decapitator, to dialing in a punishing effect, Scottie covers it all. Next up is the audio level destroyer Devil-Loc. Inspired by the classic Shure Level-Loc, This plug-in can burn, scorch and destroy whatever you send it, but of course it also can be used for good. Scottie demonstrates this very simple yet powerful and tasty device, its parameters and how to put it to use.

Beat – Fachmagazin für Musik

Produktion und DJ-ing Dezember 12/2013

True PDF | German  | 100 Pages | 11 MB

Das Fachmagazin für Musik, Produktion und DJ-ing: BEAT kombiniert kompetente Hard- und Softwaretests mit engagierten Rezensionen sowie Berichten und Interviews aus Musikerkreisen und dem Musik-Geschäft. Wir berichten über Musikproduktion mit aktuellen Synthesizern und Computern, stellen neue Trends im Bereich Recording vor und liegen mit aktuellen Reportagen stets am Puls der Zeit. Viele am Markt bekannten Fachautoren berichten von den verbreiteten Musikproduktions-Lösungen und erfahrene Redakteure betreuen die Entertainment- und Szene-Themen.

Hydlide 2012 REFiLL

Reason REFiLL | 16 MB

Hydlide Reason Refill 2012 is a home made project of patches I have created in the past till now. It is made with Reason 4 but works in Reason 6.5 aswell. With having a new refill project going on, I decided to re-do the whole thing in one go and stack this into one big refill package (16mb in total, containing 826 patches). The cool thing with it though is that this stuff is all Reason 4 compatible. I choose Reason 4 as a version since most people who haven’t bought Reason 6 are still using Reason 4 or Reason 5. So I would help them out with some new sounds aswell.

Hydlide Synthesis 2013 REFiLL

Reason REFiLL | 2 MB

This refill has been made in the period of June 2013 till August 2013. Contains about 1000 patches. All these patches are compatible with Reason 4 and upwards. The synthesis refill is based on a lot of different ideas that came to live during song creations. While most of these songs have devices scattered around through out the rack, I felt the need to make it easier to make a series of combinator patches that would spice up the rack. To make the synthesis refill more complete, some synthesizer patches are made from the ground up again by using the subtractor, malstrom or thor. The sounds are non genre specific, since some of these patches come from my own production works (ranging from Goa, to Drum and Bass to Ambient). While other patches have been made with out having it ‘genre’ specific.

The Definitive Visual History

DK (Author) | 2013 | True PDF | 482 pages | 123 MB

The Definitive Visual History guides readers through the progression of music since its prehistoric beginnings, discussing not just Western classical music, but music from all around the world. Telling the story of musical developments, era by era, linking musical theory, technology, and human genius into the narrative, Music: The Definitive Visual History profiles the lives of groundbreaking musicians from Mozart to Elvis, takes an in-depth look at the history and function of various instruments, and includes listening suggestions for each music style.

Pink Noise Deepflight REFiLL

Reason REFiLL | 515 MB

Are you ready for a dive? Warm analogue strings, ambient textures, atmospheric pads, fat synth sounds – this is Deepflight.
DeepFlight is a Reason3 refill, based on 1GB sound samples of Roland D-50 synth from the late 80’s. Yes… refill again! Many people think that REFILL is just another storage format for samples. We at Reasonbanks think different. We look at refills as a ROM card in your PCM synth. Yes, it can store samples, but the secret is in the patches… Our refills represent a new approach to NN-XT and Combinator programming, adding a flexible “new instrument device” to your REASON environment. About D-50: Roland D-50 was released in 1987. This synth was Roland’s response to the extremely popular Yamaha DX-7, however it sounded totally differently and was much easier to use. Although it’s a digital synth, it still used real analogue filters, which disappeared in the following D series. That’s why D-50 sounds so fat and beautiful. A real all-time favourite!;-)