Dray for Q-clone 96 khz For Nebula

Team MAGNETRiXX | 10 March 2014 | 14 MB

Sampled at 96 khz with Prismsound Orpheus conversion and high quality short gold tipped cables. 15 MB. About 80 files in this package covering Kick, Snare, Vocals, Bass and more.
This Pack came about as a request from one of my customers. It has Hip Hop, Rap and any modern dance all over it. It is very loosely based on curves of Doctor Dray’s album the Kronic. The Curves have been made through SSL gear that will give your mixes a bit of depth. You won’t sound like the man just like that. I advise that you use a compressor plugin before or after the Q-clone instance to get the sound to punch a bit more. If you purchase the Exlojik , you can use the Med setting on your master bus to give you a great chain that will give you quick results. Use The SSL Duende channel strip to make any EQ tweaks and you should be set to make a great sounding song. To add more flexibility and tones perhaps consider the Colour Mix pro pack.

Red For Access Virus TI

Team MAGNETRiXX | 10 March 2014 | 1.53 MB

Red is a soundset for the Access Virus TI and Snow synthesizers and is aimed squarely at dance music productions with 128 presets divided into four categories: Bass, Plucked sounds, Pads and Sequences. Yes. Sequences. Although the Virus doesn’t have a built-in sequencer (at least not in the v5 of the operating system), we used some tricks with its very capable arpeggiator to simulate the functionality of a real step sequencer. Although a majority of the sounds is built upon the Hypersaw Oscillator, we have also used many of the DCO oscillators from the old Virus A/B/C.

Silverspike Reverb It VST 1.2 WiN

TEAM peace-out | 04.08.2009 | 11.2 MB

Silverspike Reverb.it simulates diffuse reverberation of rooms. Its quality results from a unique reverb algorithm based on random reflection patterns. This reverb is no toy. It provides dense, smooth, and authentic reverberation that you would only expect from expensive external high-end equipment. Two shelving filters and up to three separate reverb frequency bands give you full control on the spectral balance of the reverberated signal. No matter whether you need a rehearsal room, a concert hall, or a stadium. Perfect stereo imaging. And yes, Reverb.it is ready for 32bit/96kHz.

Sanford Reverb VST 2.0.1 WiN-ASSiGN

TEAM ASSiGN | 02 MARCH 2010 | 7 MB

The Sanford Reverb is a true stereo reverb. It is capable of simulating everything from small rooms to giant cavernous spaces. Its sound is dense, clean, and crisp making it perfect for most situations.

Spring Reverb Type4 v1.0.1 AU VST UB WiN MAC

VST AU PC & MAC OSX UB REPACK-DYNAMiCS

Team DYNAMiCS & AiR & NEMESiS | 01-26-2009 | 6 MB

A spring reverb is a system to obtain artificial reverberation invented during the 40’s by Laurens Hammond (also inventor of the Hammond Organ). In a Spring Reverb pan, the audio signal is coupled to one end of the spring by a transducer (a device that can convert electrical energy into mechanical energy or viceversa). This creates waves that propagate through the spring in both directions. At the other end of the spring there is another transducer that converts the motion in the spring into an electrical signal, which is then amplified and added to the dry sound. Most spring reverb units use several springs together, with each spring having its own characteristics (length, dimensions, tension, etc.) resulting in a natural reverberation by summing several delayed sounds at fixed or random intervals. However, with real spring reverbs the user isn’t allowed to change these characteristics. A software simulation like Type4, on the other hand, allows you to adjust parameters like “decay” (reverb duration), the dampening factor, the virtual spring tension and other parameters that affect the overall timbre of the reverb effect. Why should you want to use a spring reverb rather than a precise and modern digital reverb? Spring reverbs have typical sonic characteristics that, nowadays, make them desirable mostly as effects on their own rather than simulations of an acoustic phenomena.

New Dirty Tech WAV

Team MAGNETRiXX | 10 March 2014 | 97.6 MB

Mexican DJ and producer, Jeremy Bass presents another one of their sounds in these 8 years, Bass has worked without numbers of track original & remixes for major labels around the world, and remixes for artists. Mc Flipside, Muzikfabrik, Outcode, Mijangos, Rio Dela Duna, Yas Cepeda, Joy Marquez, Danniel Selfmade, Vicente Ferrer & Victor Perez and many more, his music had the support of great artists like, Roger Sanchez, Umek, Mike Vale, Siwell, Dirty Secret, Coqui Selection, Jerry Ropero, among others, Generes: Deep House, House, Tech House, Techno…

Tonehammer Cajongo KONTAKT

Team SUNiSO | 11 Oct 2009 | Size: 872.56 MB

The history behind the upcoming Tonehammer Cajongo (combination of Cajon and Bongo) is actually one of darkness and despair. The Slaves of West and Central African origin are considered to be the origin of the Cajon drum, which is essentially a wooden box with a thin sheet of wood nailed on as the sixth side acting as the striking surface. The Cajon is a highly featured instrument in Cuban music, which also traditionally contains the bongo. The Bongo was also brought from Africa to Cuba by the slaves and both are often featured in salsa, rumba,changui and other traditional styles.