Mikron Bundle v1.1.1 WiN

Team R2R | 16 July 2024 | 12.9MB

The 112dB Mikron series is all about simplicity. We believe that too many features can stand in the way of the creative process. Simply said: more features also means more tweaking and having to delve into all kind of technical details. And that often distracts you from what it’s al about: creating music. You really don’t need that many knobs to get a great sound. The effect pedals for guitars are a perfect example of this. Their limited functionality is more than compensated by their fun to use. Or do you really believe that Jimi Hendrix and Kurt Cobain would have made better music if they just had these few extra knobs on their stompboxes? Limitations often inspire creativity instead of blocking it.

Note EQ v2.0.3 WiN

Team R2R | 15 June 2024 | 3.2MB

NoteEQ is an EQ/Limiter pre-tuned to note centers.

More than a decade ago, I made a version of this in WDL (thanks Rob!) to deal with the problem of “one note bass” and dealing with overly loud or overly dead bass notes across the bass fret-board. My mastering engineer ended up using it for far more things, and I have been meaning to update it ever since. In this version, you actually have a limiter per band. In earlier versions, just EQ-ing a hole sometimes caused more problems than it fixed, but now, with the limiter, you can get a hold of the mix when its making trouble and leave it alone when it isn’t! Click “E” (for Enable, were still deciding on the name) in order to enable a band (they are off by default) and “D” in an enabled band to turn on the limiter. Switch octaves with the +/- buttons under the spectrum. Note that the octaves are shown in the spectrum display so you don’t have to do the math.

Pro-Q 2 v2.2.5 WiN

Team R2R | 04 November 2023 | 4.34 MB

FFT has announced availability of FFT Pro-Q 2, a major update to the Pro-Q equalizer plug-in. New features such as Full Screen mode, unique Natural Phase processing, Auto Gain, Spectrum Grab, Gain-Q interaction and slope support for all filter types make Pro-Q 2 better than its predecessor in every way, while staying true to the original vision of combining high sound quality with unsurpassed interface workflow.

Pro-L v1.3.2 WiN

Team R2R | 04 November 2023 | 3.69 MB

FFT Pro-L offers four advanced limiting algorithms, all with their own distinct character. Some are designed to be as transparent as possible, while others may add a nice punch or flavor to your music. Together with the adjustable look-ahead, attack, release and unique separate channel link settings for both transients and release, the limiter can be fine-tuned to achieve both maximum loudness and the highest possible transparency at the same time. With its informative real-time display and meters, the clutter-free interface makes working with FFT Pro-L a breeze. Different meter scales, including the three K-System scales (K-12, K-14 and K-20), will help you to get precise control over your levels. Of course, you can easily disable all metering if you want to judge the sound by ear only.

Omega v1.4.0 WiN

Team TCD | 11 August 2024 | 6.8MB

User-Friendly FM Synthesizer

If you think FM Synthesis is complicated, it’s time to think again! BLEASS Omega places all of the sparkle, character, nuance and dynamic expressiveness of FM Synthesis at your fingertips, and does away with the arcane programming interfaces so often associated with FM. Harnessing BLEASS’ signature GUI technology, creating and crafting sounds in Omega is not just easier than with other FM synths, it’s easy – PERIOD! All of the classic capabilities of FM Synthesis are available in BLEASS Omega – expressive electric pianos, deep thundering basses, crystal-clear pads, sparkling bells, and soulful leads. And thanks to the instrument’s analogue-style Waveshaper and multi-mode Filter, BLEASS Omega can inject powerful analogue-like flavour into those pure FM tones, giving searing filter sweeps, growling distortions, and harmonically-rich resonances.

Mammoth v1.6.1 WiN

BUBBiX | 10 August 2024 | 8.7MB

PLATFORM : WiN64 – EXE/VST/AAX(MODiFiED)

Mammoth is a powerful yet intuitive bass plugin featuring two-band signal processing that includes a bass maximizer, 3 types of drive, a tone stack, cabinet simulations and much more. We designed Mammoth with simplicity and flexibility in mind. It’s made for artists, producers and engineers alike. Featuring a modern, convenient UI, a custom IR Loader, and endless supply of distortion.

Redline Reverb 2 WiN

Team R2R | 10 November 2023 | 4.52 MB

Redline Reverb II is a musical reverb that excels in both warmth and transparency at extremely low CPU usage. It is a fully algorithmic and true stereo reverb with possibilities far beyond the conventional. Unlike conventional algorithmic reverbs, Redline Reverb does not need separate plate, hall, and room algorithms. Instead it features a comprehensive yet intuitive parameter set that allows you to easily recreate any given reverb characteristic, leaving you free to create lush smooth vocal reverbs, convincing room simulations, almost infinite reverb tails, synth pad and delay effects, and everything inbetween. Just check out the 112 factory presets for a comprehensive showcase of what it can do. Redline Reverb II has been fully modernized with a new look & feel, a resizable GUI and a new preset management system. A stereo width knob has been added to enable you to widen or narrow the reverb according to your wishes.