LISA is the only tool of its kind: An all-analog dynamic EQ, featuring a dedicated opto compressor cell for each of its 6 bands. This exacting model of the original brings a new way of applying dynamic EQ to the digital domain. Now you can take advantage of the character and workflow of this boutique mastering-grade hardware in the box.
Lese’s full lineup of audio plugins.
Cut Classic’s High Flyer captures the swirling, hypnotic soundscapes of 70s phasers, infused with the warmth of analog style preamps, retro 8-bit sampling, and cutting-edge modern textures. Designed for sound designers, EDM producers, and psychonauts to push new sonic boundaries with timeless analog tone.
Cut Classic’s High Flyer captures the swirling, hypnotic soundscapes of 70s phasers, infused with the warmth of analog style preamps, retro 8-bit sampling, and cutting-edge modern textures. Designed for sound designers, EDM producers, and psychonauts to push new sonic boundaries with timeless analog tone.
Ample Ethno Banjo aim to bring a Derring Dierra Banjo sound to your studio.
Tonal Balance Control 2 The plugin allows you to make level adjustments to your tracks while checking your tonal balance in real-time. Finalize and fine-tune your master using target curves for different genres. Use Tonal Balance Control 2 in your mix session and adjust gain and EQ for Nectar, Neutron, other compatible iZotope plug-ins (available separately) Tonal Balance Control 2 is available from Plugin Boutique for $199 USD. It is also included in Ozone 9 Advanced and Neutron 3 Advanced. The latest version (2.2) comes with improved fluid metering and improved UI scaling for easier EQing.
We asked a question: can a plug-in feel like a table-top instrument? Can it sit alongside the quarter-tone flat kalimba, the craigslist fuzz pedal, or the auntie-passed down Omnichord? With eight modal bands, external MIDI input, and audio rate modulation, Peaks gives you the lifelike, as well the larger than life; the sweetest modal resonator.
