• Breeze v.1.2.0 AAX VST x86 x64 WiN-R2R
    August 24th, 2014 ⚡
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    Breeze v.1.2.0 AAX VST x86 x64 WiN

    TEAM R2R | 2014.08.24 | 18.34 MB

    SIMPLE. LIGHT. PRISTINE.

    Simplicity is the ultimate sophistication. Breeze is the eco-conscious member of our prestigious reverb family. It focuses on ease of use, efficiency, and economy. Plug it in. Turn it on. Go. Add as many as you need. It does not get much simpler than this. But don’t be fooled; this lightweight packs a serious performance punch and has several exciting tricks up its sleeves that give it its own unique charm and character.


    Viewed 7991 By Music Producers & DJ´s.

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    Sony Vegas Pro 13 Build 373 x64 WiN PORTABLE

    P2P | 15/08/2014 | 255 MB

    Vegas™ Pro 12 is an integrated, forward-thinking production environment designed for a new generation of creative professionals. Combining a familiar track-based timeline with hundreds of thoughtful workflow innovations, Vegas Pro 12 is a refreshing, modern approach to post-production. Supporting more formats, more workflows, and more creative control than ever before, Vegas Pro 12 makes it easy to deliver your message and express your artistic vision.


    Viewed 18565 By Music Producers & DJ´s.


  • Little Foot v.1.1.2 VST x86 x64 WiN
    August 12th, 2014 ⚡
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    Little Foot v.1.1.2 VST x86 x64 WiN

    HY2ROG3N |12/08/2014 | 3.15 MB

    We’ve all had the experience of mixing a kick drum that just didn’t have quite the oomph it needed. You can try EQing it, but that just seems to make it flabby and loose. Sometimes you need a little extra beef that you just can’t extract out of the kick drum itself. You can replace it with samples, but sometimes that alters the sound too much. Little Foot lets you add anything from subtle to extreme low end to your kick drum without compromising the original sound. It does this by triggering a low frequency sine wave that plays along with your original kick drum. You can control how deep and how hard this sine wave triggers, and how long it sustains. You can even “tune” your kick drum to match the key of the song. With Little Foot, we focused on an interface that lets you dial in your sound as quickly as possible without having to worry about a pile of other features. If a million features is what you want, Sasquatch will probably be your answer.


    Viewed 5914 By Music Producers & DJ´s.

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    Audition CC v7.0.1.5 x64 WiN and Portable

    P2P | 04/08/2014 | WiN:331.96 MB | Portable: 289.51 MB

    Record, edit, and create audio content with Audition’s comprehensive toolset, including waveform, spectral display, and multitrack. This powerful sound editing program is designed to accelerate audio and video production workflows and deliver the highest standards for audio quality.


    Viewed 5351 By Music Producers & DJ´s.


  • L-Normalizer v.1.0.0 VST x86 x64 WiN
    July 10th, 2014 ⚡
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    L-Normalizer v.1.0.0 VST x86 x64 WiN

    C0PYL3FT3R | 10.07.2014 | 4.6 MB

    Affordable, cross-platform loudness normalizing tool

    The L-Normalizer is an affordable, cross-platform loudness normalizing tool. This particular application can be very useful and helpful for audio engineers working in post production and broadcasting environments. The major two steps of the workflow consists in analyzing the audio material and rendering an improved one. If you choose to normalize your material, you can pick between program loudness or short term loudness if your materials are shorter than 30 seconds. Also, a True Peak Limiter is available with variable knee width, release time and true peak.


    Viewed 8467 By Music Producers & DJ´s.

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    ALM 5.1 v.1.1.0 VST STANDALONE x86 x64 WiN

    C0PYL3FT3R | 10.07.2014 | 30.20 MB

    VST STANDALONE x86 x64

    ALM 5.1 is designed as a key component in your mixing workflow. Based on the new ITU, EBU and ATSC loudness standards, the plugin offers you full Loudness and True Peak Metering for Mono, Stereo and 5.1 channel formats featuring measurements for Momentary, Short Term and Integrated Loudness, with Loudness Range and Max True Peak Level. Wheter your want to target the loudness (-23 LUFS,according to EBU specification, or -24 LUFS, according to ATSC specification) or you want to use the relative gate of -10 LU, ALM 5.1 is all you need to control the loudness of your audio material. Both LU and LUFS scales are available, also, you can set the start and the stop of your measurements or you can simply let the plugin do it by following the host transport.


    Viewed 5379 By Music Producers & DJ´s.


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    ALM-X 5.1 Extended v.1.1.0 VST WiN

    C0PYL3FT3R | 10.07.2014 | 7.3 MB

    STANDALONE x86/x64

    Audio Loudness Meter Extended 5.1 – Standalone, Audio Loudness and True Peak Meter application, with extended features BS1770 and EBU R128 compliant. Taking the idea behind the ALM 5.1 plugin a step further, we developed a standalone application, with extended features, that offers more control and power, allowing you to use it in more complex situations: the ALMx 5.1 (stands for Audio Loudness and True Peak Meter with extended features). The application was created as an aid for the television networks and media services providers. Recommendations regarding loudness levels exists in many countries, some of them have already implemented the standards as law, while others are in the legislative process. Just like the ALM 5.1 plugin, the driving forces behind the application are the algorithms developed according to the international broadcast standards (BS-1770, EBU R128, ATSC A/85), based on research and perception tests.


    Viewed 8104 By Music Producers & DJ´s.


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