dearVR Pro v1.2.2 WiN MAC

Team R2R | 15 Feb 2019 | WiN: 98.6 MB | MAC: 66.52 MB

PLATFORMS : WiN32/64 – VST/VST3/AAX(MODiFiED) | MacOSX – AU/VST/VST3

Dear Reality’s state-of-the-art algorithms have been a mainstay of 3D audio production for years. Now, for the first time, their spatial processing treasure chest has been made available in an all-in-one plugin for your DAW: dearVR pro. Say goodbye to expensive middleware, unwieldy software bundles and complex routing schemes. All the tools you need to create stunning, immersive 3D audio for virtual reality (VR) and augmented reality (AR) video, films and games are included in dearVR pro’s powerful yet fast and intuitive interface.

Multiplicity v1.0.0 WiN MAC

TEAM R2R | 15 February 2019 | WiN: 4 MB | MAC: 3.4 MB

PLATFORMS: WiN32/64 – VST/VST3/AAX(MODiFiED) | MacOSX – AU/VST/VST3

Multiplicity: A step forward for precision mastering. Multiband compression, expansion, gating, dynamic EQ, the lot. Whether repairing or enhancing a signal, Multiplicity gives you a degree of control that isn’t possible with anything else.

TCL-2 v1.5 WiN

Team R2R | Feb 14 2019 | 33 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

The TCL-2 delivers the stellar, transparent sonics of the beloved Twincom in plugin form. The original hardware Twincom features “Twin Topology” technology, which gives users the ability to select either a full tube, or full J-FET/solid-state signal path. Both the complete tube and solid-state signal paths have been faithfully modeled in the plugin version. In addition, the plugin version provides the ability to process Mid (M) and Side (S) information separately, as well as a Dry / Wet signal control for each individual channel. The plugin version of the TCL-2 captures the tone of both of these circuit paths, bringing the sound to the DAW-based producer/engineer. From the transformer-less signal path, to the lower, tighter gain and threshold structure, to its unique single amplifier design, every aspect of the original hardware has been faithfully emulated in the plugin version.

NSEQ-2 v1.5 WiN

Team R2R | Feb 14 2019 | 33 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

The Millennia NSEQ-2 is a go-to parametric EQ for many of the world’s leading studios and mastering houses. Its unique Twin Topology design and pure Class A transformer-less circuitry offers a simplicity which yields a powerful, sonically neutral, analog EQ. The plugin version of the Millennia NSEQ-2 is a faithful digital model of this remarkable piece of ultra high-end hardware, brought to you by the modeling experts. This brings a state-of-the-art boutique EQ to your DAW.

DSM v2.8 WiN

Team R2R | 14 Feb 2019 | 34.4 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

FFT based Audio Mapper by legendary console developer

The DSM V2 plugin uses FFT analysis to accurately capture both, the frequency and level characteristics of your audio material. This “captured” FFT data can then be dynamically controlled using standard parameters (like Threshold, Ratio, Attack, Decay and Gain). But unlike typical dynamic processors, these controls directly affect the FFT data, not just the audio. This way, you can capture the characteristics of any audio signal and apply it to any other sound or part! Truly professional results can be achieved quickly for several dynamics processes, including (but not limited to): Loudness Enhancement, Compression, Vocal enhancement, De-Essing, adjusting different songs to each other in mastering, etc.

EQ2 v1.5 WiN

Team R2R | Feb 14 2019 | 32 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

TEC Award nominated EQ2 provides some of the same audio magic of its bigger brother, but it also adds features which make it the perfect companion to the EQ4. While the EQ4’s wide, musical control over 4 frequency bands make it the best EQ on the market for sweetening your tracks, the EQ2’s second band offers greater control over center frequencies and bandwidth selections, making it a great tool for fixing problems or creating more radical changes. The EQ2 also has the legendary Air Band like the EQ4, but offers a 15khz band not found on the EQ4. The EQ2’s 11 LMF bell selections on its LMF band: 6 wide and 5 tight, broaden its frequency selections compared to the EQ4, which has only wide bell selections. This allows the EQ2 to zoom in on problem areas in a manner that EQ can’t. The EQ2 also features an Input Attenuator not found on the EQ4 to help normalize the signal before applying EQ.

E765 RT v1.5 WiN

Team R2R | Feb 14 2019 | 43 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

This amp is lesser known than the 646, but you should listen to the audio examples below. Very versatile, rocking amp for anything from Jazz to Hard Rock. Less aggressive than a 646, but reaching into metal territory, especially if you combine it with some nice pedals, and can be played with more expression as it reacts to the incoming signal very realistic. If you like to play with the volume knob on your guitar, this is your amp!