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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Schlap v1.0.7 WiN MAC-FLARE
    October 10th, 2021 ⚡
    Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64

    Schlap v1.0.7 WiN MAC-FLARE

    Schlap v1.0.7 WiN MAC

    FLARE | 07 August 2021 | WiN: 3.96 MB | MAC: 7.41 MB

    ..:: AU, AUv3, VST3, x64 & AAX ::..

    If you want your tracks to be energetic, in-your-face and bold, make ’em “Schlap”. Schlap is a characterful, colourful and aggressive sounding program-dependent compressor. It takes inspiration from hardware RMS compressors of the past and evolves them into a modern setting. The compressor uses a program-dependent attack and release influenced by old hardware making the compression sound characterful and dynamic. The RMS detection means that Schlap detects the average loudness of a signal, resulting in sudden short peaks being uncompressed so that they can attack hard and sound heavy hitting. Also inherently in RMS detection, there is a slight delay in compression which allows the initial, early transients to sneak through uncompressed so they keep their punch. You’ve got a safe, controlled track you think you’re happy with, but you have to ask yourself… “Does it Schlap?”



    Viewed 6201 By Music Producers.


    • Tape Pro v1.2.1 WiN MAC-FLARE
      October 10th, 2021 ⚡
      Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64

      Tape Pro v1.2.1 WiN MAC-FLARE

      Tape Pro v1.2.1 WiN MAC

      FLARE | 07 August 2021 | WiN: 30.1 MB | MAC: 245 MB

      ..:: AU, AUv3, VST3, x64 & AAX ::..

      Endless Creativity. Tape Pro is a multi-effect tape audio plugin that introduces warmth, frequency shaping, modulation, noise and delay. Whether you want to accurately replicate a microcassette tape running at 1.2cm/s, or you want to drive a mastering grade tape machine with strange distortion shapes into a high feedback delay engine, Tape Pro is the plugin for the job. Tape Pro has a module for each sound feature of tape. The first of these in the signal chain is the Saturation module. The variety of distortion types to choose from turn Tape Pro into a valuable creative tool – get the exact saturation sound you want with; Tape, Digital, Rectify, Half-Rectify, Sine and Smooth. Next, the Response module uses a variety of different impulse responses recorded from real tape machines to recreate the authentic character to its sound. Our collection of responses from 12 different tape machines will have you covered; Cassette Type 1, Type 2 and Type 4, Worn, New and Mod Copi-Delay, Master SA812, Master TM15, Microcassette at 1.2cm/s and 2.4cm/s, Semi-Pro RB77 7.5ips and 15ips.



      Viewed 6647 By Music Producers.

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      • Smoov v1.0.9 WiN MAC-FLARE
        October 10th, 2021 ⚡
        Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64

        Smoov v1.0.9 WiN MAC-FLARE

        Smoov v1.0.9 WiN MAC

        FLARE | 07 August 2021 | WiN: 3.95 MB | MAC: 7.20 MB

        ..:: AU, AUv3, VST3, x64 & AAX ::..

        Is a chaotic track starting to get to you? Maybe you should make it a little more “Smoov”. Smoov is a soft, clean and transparent sounding program-dependent compressor. It takes inspiration from hardware compressors of the past with a focus on peak detection, meaning that it can quickly and effortlessly react to incoming signals and blend them in with the surrounding audio field. When a busy track needs taming, Smoov softly settles your tracks. The compressor uses a program-dependent envelope influenced by old hardware making the compression sound smooth and dynamic. The peak detection means that Smoov detects the actual amplitude of a signal, resulting in an extremely fast response to tame and control anything that is thrown at it. You’ve got a big, groovy track you think you’re happy with, but you have to ask yourself… “Is it Smoov?”



        Viewed 6786 By Music Producers.


        • Reed200 v2.0 AU VSTi STANDALONE WiN MAC
          October 10th, 2021 ⚡

          Reed200 v2.0 WiN MAC

          P2P | 10.10.2021 | MAC: 34 MB | WiN: 24 MB

          …::: AU, VSTi, STANDALONE, x86, x64 :::…

          SPECTRAL MODELED WURLITZER

          Reed200 is our second spectral modeled instrument. We can say it’s all that we dreamed about. Clean and responsive timbre made out of the real Wurlitzer. Stacking up to 600 pure sinewaves, we achieved a perfect and accurate timbre reproducing the sound that a Wurli generates on the line output (Also we included a cabinet and drive emulator). As in our Markus 88, we did most of the jobs manually. Despite the deep spectrum analysis we used to decode the timbre DNA, we focused on recreating the real feel of pushing down a key in a real Wurlitzer.



          Viewed 9523 By Music Producers.


          • BRA Plugins Pack v2.5.7 AAX VST x86 x64 WiN-V.R
            October 10th, 2021 ⚡
            Categories: AAX, VST, WiNDOWS, x64, x86

            BRA Plugins Pack v2.5.7 AAX VST x86 x64 WiN-V.R

            BRA Plugins Pack v2.5.7 WiN

            Team V.R | 9 October 2021 | 255 MB

            ..:: AAX*, VST, x86, x64 ::..

            The vintage breeze of classic studio equipment combined with modern day, easy to apply digital processing makes this bundle the perfect chain of tools for everyday mixing.



            Viewed 6851 By Music Producers.


            • MagicDeathEye v1.1.7 macOS-SPTNDC
              October 10th, 2021 ⚡
              Categories: AU, DDMF, macOS, VST, VST3, x64, x64, x86, x86

              Magic Death Eye v1.1.7 macOS-SPTNDC

              MagicDeathEye v1.1.7 MAC

              SPTNDC | October 9 2021 | 12.7 MB

              PLATFORM: MAC32/64 – AU/VST/VST3

              Everybody who has ever had a chance to listen to a MagicDeathEye compressor has been blown away by its sound. Carefully designed by Mr. Ian Sefchick (mastering engineer at Capitol Records), this tube compressor’s circuit is loosely based on a Fairchild 660. It’s a variable gain compressor that sounds just as great on your mastering bus as on your individual tracks. Nothing is smashed here, everything breathes and shines while the MagicDeathEye will smoothly glue your audio signal together in that warm and almost elegant way only expensive tube compressors can. Already now a legendary piece of hardware, the MagicDeathEye compressor is just to good to be exclusively available only to some of the greatest studios in the world. After almost a year of careful circuit and signal analysis. Staying extremely close to its hardware role model while still keeping the CPU load at a very reasonable level, we sincerely believe that the answer to the ever-old question “Do I really need another compressor plugin” is a resounding yes for this one!



              Viewed 12664 By Music Producers.


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