• OCELOT v1.0.0 WiN MAC-R2R
    June 23rd, 2025 ⚡
    Categories:

    OCELOT v1.0.0 WiN MAC-R2R-MaGeSY

    OCELOT v1.0.0 WiN MAC

    Team R2R/BUBBiX | 19 December 2024 | 27.3 MB

    …: AAX, AU, VST2, VST3, x64, x86 :….

    OCELOT Limiter True Peak Limiter. Imagine a limiter that doesn’t just make your audio louder – it also makes smarter decisions about when to limit and when to hold back. The OCELOT Limiter uses advanced psychoacoustic analysis to ensure your mix stays clean and punchy, while maximizing loudness. With its intelligent approach, it helps you push levels higher without the usual artifacts of traditional limiters.


    Viewed 80883 By Music Producers & DJ´s.


  • MH DB-Verb v4.0.71.235 AAX VST3 x64 WiN-R2R
    June 23rd, 2025 ⚡
    Categories:

    MH DB-Verb v4.0.71.235 AAX VST3 x64 WiN-R2R-MaGeSY

    MH DB-Verb v4 WiN

    Team R2R | 23 June 2025 | 20.71MB

    Over his long career, multi-platinum award-winning Super Producer / Engineer D.B has developed an amazing workflow to blend multiple reverbs applied to a channel or a bus for a layered and nuanced sound. What happens when you take that workflow and wrap it around a custom reverb engine that provides the key reverb patches that he has dialed in and used on the classic recordings he is known for? You get DBVerb! DBVerb replicates 12 of David’s favorite reverb patches. The plug-in also implements his signature workflow for dialing in the perfect reverb by putting 4 different reverbs in parallel, each with a dedicated fader to allow you to quickly blend the contribution of each verb into the overall response.


    Viewed 24169 By Music Producers & DJ´s.


  • MH CGII v4.0.71.235 AAX VST3 x64 WiN-R2R
    June 23rd, 2025 ⚡
    Categories:

    MH CGII v4.0.71.235 AAX VST3 x64 WiN-R2R-MaGeSY

    MH CGII v4 WiN

    Team R2R | 23 June 2025 | 24.7MB

    CGII: Make it Good & Loud!

    CGII is comprised of two uniquely complementary dynamics enhancement sections, a new True Peak Limiting stage, DC blocking and dither with LUFS/true peak metering via spiffy tube filament displays, all operating at up to 16x over-sampling (or none at all – depending on your tastes). The design prioritizes musical integrity and ease of use, with the ability to add effective loudness, weight and definition without diminishing spatial depth and visceral impact the way traditional dynamics processors often do. Use CGII to make your masters loud without losing the clarity, density and heft of the original mix. Even if you are working with a mix that is already loud, you can give it a little extra, without adding unpleasant distortion and without flattening out the material and sucking the life out of the low end. At the same time you can control the true-peak level of the program to ensure that there are no inter-sample overs.


    Viewed 10667 By Music Producers & DJ´s.


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