Klimper v2.2.0 WiN
MOCHA | 26 January 2023 | 29.4 MB
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Come up with great chord progressions, melodies and basslines easily – independent of your musical training.
Viewed 101686 By Music Producers.
Come up with great chord progressions, melodies and basslines easily – independent of your musical training.
Echomixer device, which housed three germanium preamps and a Hammond IV spring reverb. Modelled on a modified example of an original unit from 1960, the emulation brings the classic sound into modern production environments. The GUI replicates the layout of the original hardware unit, with the top section occupied by input and output level controls and three vertical faders that control the level of each preamp channel (labelled A, B and C). Channel A is a clean version of the preamp, whilst B provides a modelled version of the original preamp circuitry, and C offers a more obviously saturated option — the signal flows in series from left to right, and each channel can be independently engaged or bypassed. A pair of horizontal faders follow, with the first setting the balance between wet and dry signals, and the second acting as a ‘character’ control and offering a variable amount of modelled germanium distortion.
Cycling ‘74 has released version 8 of Max and the company is calling it “the closest thing to a mind-expanding drug Max has ever had”. The visual programming language has taken on a raft of new improvements in the latest iteration, most notably the introduction of the new MC. objects. MC, we’re presuming, stands for multi-channel and Cycling ‘74 is sure it will “transform how you imagine sound design”. It makes patches with 100 channels of audio look as simple as those with a single channel. It seems MC will give you the ability to manipulate multiple audio channels and operations with fewer objects. Much of the development in version 8 has been focussing on performance. Cycling ’74 now claim that Max will launch 20 times faster on Windows than before and load patches up to four times as quick. Performance as a whole is improved, with complex UI operations being significantly more responsive. Another big update is the ability to control your patches with hardware, without the need to patch. In the new Mappings Mode, you can assign physical controls to your patch in just three steps; simply enter Mappings Mode, select a slider and then move your controller – done.
Dialog combines in one plug-in all the processing needed to clean up, adjust, and sweeten recordings of the spoken voice. It is perfect for voice-over, film/tv recordings on location or sound stage, and broadcast. Dialog includes brickwall filters, de-hum and de-buzz processing, broadband noise reduction, de-ploding, de-essing, 10-band equalization, compression, and limiting. Separate presets for each section allow you to get results fast. The brickwall filters have variable rolloff slopes and can be used to cutoff low or high frequency ranges. The de-hum processor uses notch filters to eliminate 10 harmonics of either 50 Hz or 60 Hz hum. The de-buzz processor squelches nasty line frequency buzzes. The de-noise processor is the stellar sounding MR Noise algorithm with a simplified interface. De-plode and de-ess are custom processors; use de-plode to tame plosive sounds and use de-ess to adjust the amount of sibiliants. The EQ section is the powerful and easy to use TrackPlug equalizer, with 10 bands of equalization, 11 different filter types to choose from, and a variety of presets. The compressor is the TrackPlug Vintage compressor, with presets tailored to voice processing.
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The soul of PRIMO is a boutique handmade Italian amp, but forget about circuit modeling and static tone snapshots, this is something else. In our vision, the analog tube amplifier is just the starting point, the pencil drawing behind a colorful painting. Our AI, learning from the “real thing”, has crafted two beautiful channels: CH1 for everything from cleans to juicy edge-of-breakup tones, and CH2 for roaring crunch tones and searing leads.