🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

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    KORE Line The Finger WiN MAC

    Team ArCADE | 23 September 2009 | 12.85 MB

    THE FINGER provides more than 40 effects including real-time samplers/transformers (e.g. loop, re-arrange, reverse, scratch, heavy granular effects etc.), as well as filters, gaters, delays, reverbs, distortion, wave shapers, ring modulation and many others. Each effect has two parameters controlled by velocity or mod wheel, and is tempo-synced to a master clock or the tempo of your audio host. The KORE PLAYER user interface allows for even further tweaking via the Macro Controls. The main advantage of THE FINGER is the ability to trigger effects via MIDI keyboard (or the “piano roll” in a sequencer). Four octaves of MIDI notes have a specific effect per sound with their own settings assigned to each. The order you trigger the notes is the order the effects get layered in, so chains can be arranged and re-arranged in no time. Make the last key a loop effect, and you can continue the chain from there, endlessly. This allows you to “play” and improvise with effects just like with a “real” instrument. When used within a host sequencer as an effects plug-in, you can record your playing as MIDI in the piano roll editor allowing to edit your effect chains in a much simpler way.


    Viewed 9669 By Music Producers & DJ´s.


  • KORE Line Absynth Twilights WiN MAC-DYNAMiCS
    April 20th, 2015 ⚡
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    KORE Line Absynth Twilights WiN MAC

    Team DYNAMiCS | 01/24/2009 | WiN: 350.63 MB | MAC: 355.45 MB

    ABSYNTH TWILIGHTS contains 200 additional ABSYNTH sounds including 1,600 sound variations that range from ethereal, enchanting pads to dark and foreboding soundscapes. You will find both tonal and atonal evolving atmospheres conjuring up everything from heavenly to nightmarish ambiences. Perfect for game designers, score producers and ambient electronic musicians. All sounds make extensive use of ABSYNTH’s flexible multi-stage envelopes and out-standing sound shaping features, giving you truly unique sonic textures for your productions.


    Viewed 8635 By Music Producers & DJ´s.


  • bDSP Plugins Pack 2015.04.18 WiN MAC-R2R
    April 18th, 2015 ⚡
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    bDSP Plugins Pack 2015.04.18 WiN MAC

    TEAM R2R | 2014.08.26 | 63.31 MB

    The next logical step after releasing the loudness meter application, ALM 5.1, was to create an affordable, cross-platform loudness normalizing tool: the L-Normalizer. This particular application can be very useful and helpful for audio engineers working in post production and broadcasting environments.


    Viewed 7815 By Music Producers & DJ´s.


  • PSEQ-1 Vacuum Tube Passive EQ VST WiN
    April 15th, 2015 ⚡
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    PSEQ-1 Vacuum Tube Passive EQ VST WiN

    HY2ROG3N | 15.04.2015 | 3.69 MB

    The PSEQ-1 Vacuum Tube Passive EQ faithfully replicates the sweet and warm “undoctored” tonality of passive EQ circuits. Even with large boosts at narrow-Q settings, the PSEQ-1 Vacuum Tube Passive EQ avoids the harshness that often plagues conventional active EQ topologies. The perfect EQ for individual channels or two- channel final mix busses.


    Viewed 9198 By Music Producers & DJ´s.

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  • VBE-1 Vacuum Tube Bass Enhancer VST WiN
    April 15th, 2015 ⚡
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    VBE-1 Vacuum Tube Bass Enhancer VST WiN

    HY2ROG3N | 15.04.2015 | 3.12 MB

    VBE-1 is vacuum tube analog bass enhancer. If basic equalization does not bring enough of low end massive fatness and warmth to your mix, it is time to test new Pentode VBE-1 that will add real vacuum tube warmth, saturation and drive to your baselines and kick drums.


    Viewed 7999 By Music Producers & DJ´s.


  • VTC-1 Vacuum Tube Compressor VST WiN
    April 15th, 2015 ⚡
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    VTC-1 Vacuum Tube Compressor VST WiN

    HY2ROG3N | 15.04.2015 | 3.96 MB

    VTC-1 is special analog modeled virtual VST compressor with warm analog, fat pumping and transparent sound. Compared to modern compressors VTC-1 has different inner structure and principle of work: VTC-1 don’t have threshold knob, so you set amount of compression by increasing or decreasing input level same like with old analog tube compressors. Compression amount knob is similar to ratio knob at modern compressors. You can select two curves of compression with switch: significant compression or smooth curve. If you prefer fat/massive sound you can boost input signal of vacuum tubes by turning tube drive knob. If you want some real sounding analog color to your digital records and characteristic yet transparent compression feel free to try demo version of VTC-1.


    Viewed 7845 By Music Producers & DJ´s.


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    Epralux POD4500 – Particle Octaved Delay VST WiN

    HY2ROG3N | 15.04.2015 | 2.2 MB

    Perfect for experimental music styles, minimal, psychedelic sounds, chillout, glitch, futuristic movie music, all dance music styles… POD4500 is not delay like you know, it is something totally different. If you like progressive music genres like experimental, minimal, glitch, nu skool dnb, electrohouse, psytrance, chillout or if you are seeking for new original sound don’t waste your time and try DEMO of POD4500.


    Viewed 10599 By Music Producers & DJ´s.


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