SoundToys v5.0.1.10839 WiN

Team AudioUTOPiA | Jan 03 2016 | 477 MB

..:: VST2,  x86,  x64 ::..

All 18 Soundtoys plug-ins. New Effect Rack, PrimalTap, and Little AlterBoy. No dongle required. Soundtoys 5 brings together our entire range of audio effects into one powerful collection. Includes all 18 Soundtoys plug-ins. Saturate, compress and distort with Decapitator, Radiator, and Devil-Loc. Get a virtual history of echo and delay hardware with EchoBoy and PrimalTap. Transform your vocals with Little AlterBoy. Recreate classic studio pitch, chorus and widening effects with Crystallizer and MicroShift. Take modulation to new levels with the beat-synced rhythmic effects of PanMan, Tremolator, FilterFreak, and PhaseMistress.

Xponaut VoiceTweaker v4.1.0.5 VST WiN

AiR/BEAT | Mar 9, 2014 | 2.61 MB

Voice Tweaker is a harmonic pitch transposer designed for monophonic signals such as voice, spoken or sung, or solo instruments. It can transpose the pitch and formants independently, thus enabling both formant preserving pitch transpose and other more unusual effects. The Voice Tweaker also features an automatic pitch correction function and auto vibrato. Read more about VoiceTweakers pitch shift methods.

EZkeys String Machine v1.0.0 WiN MAC

TEAM R2R | 04.12.2016 | WiN: 419.99 MB | OSX: 407.05 MB

The String Machine sound library is based around a meticulously sampled mid-seventies Solina String Ensemble synthesizer, but also comes with a collection of sounds sampled from several other machines of the same era. Combined with the rich selection of presets and instrument blends, EZkeys String Machine paints a sonic landscape of never-before-heard hybrids of sounds sure to become a staple in your arsenal of creative tools. EZkeys String Machine contains the same software, functionality and extensive MIDI library as all available EZkeys instruments.

Ample Bass P III v3.1.0 WiN

P2P | 30.07.2020 | 4.34 GB

…::: STANDALONE, VSTi, VST3, AAX, x64 :::…

Ample Bass P III aim to bring the Fender Precision Bass sound to your studio.

EMX Ambient v1.0.1 WiN MAC

TEAM R2R | 28.12.2016 | 11.2 MB

The Ambient EZmix Pack is a collection of settings specifically aimed at creating large, reverberant soundscapes. A creative toolbox, perfect for use in atmospheric compositions spanning anything from motion picture scores to modern pop and a wide array of other musical contexts. It comes complete with ready-made amp/cab simulation settings for guitar and bass, including deep textures of bit crushed reverbs, bouncing delays and tremolos. Also, in addition to its settings tailored for vocals and drums, the Ambient EZmix Pack comes with a selection of signal chains designed to work on any melodic instrument – be it piano, organ, flute or guitar. But of course – any setting can be applied on whatever audio source you may have…

Agent v1.4.3.0 VST WiN

TEAM R2R | 21.12.2016 | 64 MB

PLATFORM: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED)

NYRV AGENT is NYRV Systems first product offering and is designed to become the central element of your effects processes. AGENT is fundamentally a configurable virtual control surface for effects. With AGENT you gain control of your entire effects chain in a single interface. AGENT has a Channel Strip page and an Effects Rack page. They are essentially identical but we designed them to work together the way a rack of outboard effects would interact with a large format console channel strip.

EZX2 Seventies Rock v1.0.0 WiN MAC

TEAM R2R | 28.12.2016 | 1.32 GB

The 1970s rock scene was one of diversity and constant reinvention. On one end of the scale, bands like Led Zeppelin and The Who not only paved way for a new breed of loud, beat-driven rock – but also revitalized the drum hero of the jazz age and introduced a never-before-heard sonic ideal of big, massively saturated drums. On the opposite end, acts like the Eagles and Fleetwood Mac took on a noticeably more polished production suit. Still, both sounds were very much products attributed to the advances of recording technology. The Seventies Rock EZX sets out to capture that scope – from the farthest end of epic, earth-shattering and reverberant down to classic, dampened and low-key.