VariMoon v3.0 WiN MAC

Team DECiBEL | 14 Jan 2020 | 20.4 MB

(AU, VST, VST3, x86, x64)

Holy & Simple

Famous 660 compressor/limiter’s limited version with easy to use layout.

BlackVibe v1.0 WiN MAC

Team DECiBEL | 10 Jan 2020 | 20 MB

AU, VST, VST3, x86, x64

…::: Feel The Vibe :::…

In terms of power and clean headroom it is the smallest of all the F-Type piggy back amps. If you want a cleaner and spankier tone, you can choose BlackVibe. As a clean amp, it’s not harshy or dirty. Best small clean amp in the world! Improved tone control and added MID control instead of original design to get more control on your tone. And the tremolo! Clean and vibey tremolo gives you beautiful effect! DEPTH feature extended to get more deep sound if you looking for experimental sounds. Give life to your guitars or keys or even synths with BlackVibe!

BritChannel v3.0 WiN MAC

Team DECiBEL | 10 Jan 2020 | 61.3MB

(VST, VST3, AU, x86, x64)

Top-notch design from past!

One of best designs in the world! Now combined the preamp and the eq in a plugin to reach all futures of this legendary unit! BritChannel is easily the most revered preamp and EQ circuit ever designed. Introduced in 1970, this hallowed class-A, transistor mic/line amp with EQ. Now, you can track through the only authentic precise circuit emulation of this legendary piece of audio history.

Wusik ZR WiN MAC

MaGeSY® | 06.10.2020 | WiN: 63.3 MB | MAC: 29.5 MB

STANDALONE, AU, VST2, VST3, x86, x86

Wusik ZR uses a single-cycle wave playback engine with Hyper Oversampling Code using SSE2/AVX. It comes with 128 presets…

Mikron Delay v1.0.6 WiN

TEAM R2R | 17.06.2018 | 7.1 MB

PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

Mikron Delay has been inspired by the classic bucket brigade delays and tape delays of the past. We haven’t tried to emulate one of those classics in particular, but tried to capture the essentials of these devices that make them sound so incredibly fantastic. Instead of making the perfect emulation of one specific device that we admire, we made a ‘flexible vintage delay’: to give you the opportunity to use all the cool ‘tricks’ of those old machines to create your own old school tape or bucket brigade delay.

Mikron Orbiter v1.0.1 WiN

Team R2R | Oct 07 2020 | 8 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

Mikron Orbiter was modeled after the effects of the Eminent 310 Unique electronic organ: chorus, tremolo and ensemble. Of which the ensemble effect is by far the most famous, in large part because it is not only the Eminent Unique that uses it. The strings of the Eminent organ were such a hit with musicians at the time that the ensemble section was reused to form the core of the Solina String Ensemble (rebranded in the United States as the ARP String Ensemble). A smart move. This affordable and easily to transport synthesizer became so popular that it was used by almost every band in the seventies, from Pink Floyd to Herbie Hancock. And not just the seventies, in later decades it can be also heard on many albums. The Cure, Kim Wilde, Abba, Brian Eno, Air and Gorillaz are just a few of its notable users.

Mikron Phaser v1.0.1 WiN

Team R2R | Oct 07 2020 | 8 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

Mikron Phaser was modeled after the legendary Small Stone Phaser, a stomp box effect designed by one of our all-time heroes: David Cockerell. The effect was made particularly famous by the French composer Jean Michel Jarre who used it extensively on his recordings as a synthesizer effect. But of course it was used by countless legendary bands on guitar as well. The Police, Led Zeppelin, do we need say more? If you ask us, Small Stone Phaser is without doubt the best phaser ever made. It has a smooth, vibrant seventies sound that will never grow old, and is equally suited for guitar and synthesizer, and let’s not forget the bass. While we tried to replicate the original sound of Small Stone Phaser as accurately as possible, we added a few modern details as well. First of all, it’s stereo. Secondly you can set not only the LFO rate and the ‘color’ of the phaser, but also adapt the center frequency, the degrees that the LFO’s will be out of phase, and how much the pitch will be modulated up and down. And finally the bass and treble knobs are a nice addition that can help sometimes to get the sound ‘just right’, to let it fit a little better in the mix.