The Wall v1.x.x WiN MAC

TEAM R2R | 6 July 2022 | WiN: 3.65 MB | OSX: 7.89 MB

x86 x64, VST, VST3, RTAS, AU, AAX Native

The Wall is is a brick wall limiter designed with one thing in mind: Make your mixes loud without screwing up your mix. No matter what side of the loudness wars you’ve decided to plant yourself on, the need to make mixes loud for clients isn’t going away any time soon. Sending your clients home with a mix that is just as loud as the professional mixes they are used to hearing is an important part of any mixing engineer’s job. But nothing drives me more insane than listening to all my hard work turn to garbage when pushing the mix loud. That’s why we made this plugin. We wanted a mastering limiter that lets you push your mixes loud and still keep the punch in your drums and keep your tonality intact.

Overdrive Essentials WiN

P2P | 03 August 2022 | 28.30MB

AI-Modeled Distortion Pedals

Get the authentic analog sound of nine legendary drive and fuzz pedals, in one convenient plug-in. Modeled with our custom real-time neural networks. The Overdrive Essentials plugin is a collection of popular analog distortion pedals, all modeled with our custom real-time neural networks. It’s an easy to use interface where you can select between various classic fuzz, distortion, and overdrive, from legendary 70s models to modern boutique tones. With nine different distortion pedals to choose from, Overdrive Essentials is there to find that perfect crunchy guitar tone, add character to synths, or just a subtle warmth to drums and vocal. For fine-grained control, you can use pre-gain knob to dial down the more intense fuzz pedals, and the wet/dry knob is great for non-guitar usage where you want to have add a more subtle touch of character.

House EZkeys MiDi

FANTASTiC | 05 July 2022 | 10 MB

The House EZkeys MIDI pack rounds up an impressive collection of material inspired by contemporary house music. While most of the pack’s general ‘song’ content is categorized in common parts, it also includes a section with 20 unique piano stab-type loops as well as five different themes featuring a total of 20 ’Song Starters.’ Combined, all this will give you an invaluable mosaic of ideas for your house-inspired productions. Sometimes, all it takes is a hook for the line and sinker to magically appear. Start dragging, dropping and creating. Dig in!

Bulldog v1.1.0 WiN

SEnki | 03 Aug 2022 | 470 MB

Uber Dry Amp

This is a 3-channel amp simulator based on one of the most wanted American High Gain Monsters. This time we achieved a 1:1 emulation, if you are a fan of low end and warm high mids, Bulldog is for you. Designed to achieve the most brutal tones without forgetting the pristine cleans and crunchy Rhythms.

Sigma v2 v1.0.0 WiN

SEnki | 02 August 2022 | 178 MB

Modern High Gain Amp Simulator

SI6MA EX is a 3 Channel Amp Sim based on a hybrid of modern and classic vintage amps that gives a very aggressive sound, we recreated the perfect balance between low and high frequencies which gives the musicality and harmonics of a real amp. Our new modeling method gets the dynamic you need to feel the power of a tube amp sounding in the next room, amp sims will never be the same after playing our SI6MA.

BFD Metal Snares BFD3

P2P | 29 June 2022 | 14.93 GB

..:: FiXED PART 9 ::..

BFD Metal Snares is a collection of premium metal-shell snare drums for BFD3. Metal shells are desired for their brighter, louder sound with increased overtones. We’ve chosen five snares with different materials, shell thickness, depth, and diameter, so you’ll get a wide array of sounds. They were then meticulously captured with wires on and off and delivered in natural and processed versions. These snares are mix-ready, inspiring, and ideal for your next project.

Space Station UM282 v1.3.0 WiN

SENKi | 01 September 2022 | 86.1MB

.:VST/VST3/AAX(MOD)/x64:.

UNIQUE STELLAR REVERB

The Space Station UM282 is a faithful simulation of the Ursa Major Space Station SST-282, an early 80’s echo and reverb unit. Unlike other reverberation devices from that era, the Space Station used delay techniques to transform a mono signal into a new reverberated stereo signal. Where traditional delay units of the past have only one or two taps, the Space Station has many: 8 taps are used for listening and the others are used to synthesize the reverberation. That’s why the Space Station has been the secret weapon of many producers and engineers over the years.