Harmony Assistant is an unbeatable software for computer-assisted music composition and editing. Its harmonizing capabilities enable the composer to build quickly and efficiently tunes that include accompaniment, multiple instruments and drum patterns. Its full page edit and engraver modes will ease editing and page setup of your scores.
Convex is a multi-effects processor designed to facilitate the creation of contorted artifacts, syncopated patterns and skewed digital textures. Based around three classic effects; multimode filter, pitch shifter and delay, Convex generates dynamic variations of the input signal by crossfading between two instances of each effect and modulating their key parameters using an extensive array of control modules. From mellow dub delays to mind-blowing glitch sequences, Convex brings a broad range of exciting effects to your sound design arsenal. Convex features two Pitch Shifters, two Digital Delays and two Multimode Filters. You can crossfade between each instance of the processors, making it possible to create complex morphing effects. Driving its core are 4 LFOs with optional tempo sync and 2 envelope followers which can have their output inverted or combined using mixers and multipliers.
Faceman 2-Channel Head Guitar Amplifier plugin is based on a vintage Fender Bassman* “blackface” year 1967 with rare 1×15 cabinet loaded with JBL* D130F speaker, made available by Rock ‘n’ Vintage musical instruments. Though the original 1952 design was intended and marketed as a bass guitar amplifier, guitar players all over quickly adopted these venerable amps as their own thanks to amazing breakup and beefy bottom end. Two separate channels, each with its own distinctive sound.
Flux Mini 2 is an audio effect that adds life, character and dynamism to your tracks. The customisable graph creates a shape which can be used to modulate filter cutoff, filter resonance, amplitude and mix. Just create a shape on the graph and set your desired amount of modulation using the depth slider beneath each parameter to hear great rhythmic effects. Pre-loaded with 20 presets to get you going, it won’t be long before you’ve built a plethora of shapes to accentuate your fantastic music. Now control multiple parameters at once, fix the graph to milliseconds as well as the host tempo, output the graph as MIDI CC messages and control the shape of curves with 2 control points! From simple side-chains to manic modulations, sculpt some life into your sounds – flux it up and have some fluxing fun!
Ducking, or sidechain compression, is one of the defining effects of modern music. From classic house to modern EDM, tracks by Daft Punk, Noisia and Eric Prydz ooze that pumping, ducking effect. So, whether you’re producing pumping house or broken beats, Duck delivers in seconds. Duck makes it easy to design a custom volume shape that repeats at a speed and depth of your choice, or use one of 58 presets to find new and inspiring effects. As well as sidechain compression Duck is capable of trance-gating, tremolo and any other volume effect you can think of. For more control, enable split band mode and adjust the separate low and high frequency controls. And Duck can be triggered with audio from a sidechain input or by MIDI notes, making it easier than ever for hip-hop and bass music producers.
The Mix monolith is another industry first from Ayaic. It is an “Automatic Mixing System” that allows you to level your mixes perfectly in any environment. From individual tracks, to buss groups, to FX channels, to your master fader, Mix Monolith will create a mix that is balanced and open with just a click of a button. There are also (infinite) Duck/Expand Groups as well as (infinite) Mute Groups to help you clear space in your mixes like never before. The ducking is so precise that if you need -3dB of ducking for your bass guitar that’s exactly what you’ll get every single time the kick drum hits.
Audio file manager, easy-to-use metadata editor with Windows File Explorer style user interface.
