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The Polysix programmable six-voice polyphonic analog synthesizer was introduced in 1981. With a surprisingly full-sounding voice structure, chorus/phase/ensemble effects and performance functions such as chord memory, arpeggiator, and unison the Polysix became a world-wide hit. Its distinctive string and pad sounds are often heard to this day. In addition to faithfully replicating the sound of the original, the Polysix software synthesizer also adds enhancements such as 32-voice polyphony (max), up to 16-voice unison (with detune/ spread function), flexible external modulation settings, MIDI clock synchronization, and a spread function that adjusts the spaciousness of the effects — functionality that brings this classic synthesizer up to date for modern music production. The interface provides reorganized knobs and switches that resurrect the Polysix in a contemporary “rack-mountable” form for even more intuitive operation and sound-creating versatility
Graillon is a Vocal Live Changer that brings a world of possibilities right into your DAW, with carefully designed features: The Pitch-Tracking Modulation, unique to Graillon, changes the type of speakers, generates throat sounds, creates choruses, make octaver sounds, enriches a voice to make it more masculine. The Pitch Shifter cleanly transpose a voice up and down, and has been optimized for voice. The Pitch Correction module brings an immediate robotic sound, while the Bitcrusher addition softly add sparkles to the mix.
To celebrate the release of the best sounding record ever, we are unleashing two of the blood-soaked guitar tones used on SpiritWorld’s DEATHWESTERN. Each tone is modeled on a configuration of producer Sam Pura’s iconic guitar amp chain; switch it to “53” if you want ridiculous gain and a deadly low end, or flick it to “50” if you need punishing midrange definition. When you’re ready, use them in tandem to discover why these amps go together like whiskey and a gunfight. We also threw in optional cabinet simulation, a boost pedal, gate, and your guitar’s volume knob, just for the hell of it. Our only condition on use is to not be held liable for demons summoned by players that can’t help but increase the volume of their guitars to satanic levels. But if you’re gonna do it, wear a Stetson Stallion Silver Belly (not included) while you’re doing it.
Pack of reverbs built around the BLZ reverb engine. The pack includes Coral, Mauve, and Amber. The three plug-ins are tuned at different reverb frequencies to come up well together.
Blend is a multi-voice chorus comprised of up to 16 separate layers. Each of them actually is a chorus effect on its own – complete with a dedicated modulation generator and a feedback loop. Even with all 16 layers activated, the resulting mix is dense yet always silky smooth and musical – thanks to clever proportional modulation phase offsets. Blend also has three different interpolation algorithms, each giving it a slightly different sound character. And as much as it excels at creating delicious chorus and ensemble effects of many, many styles, Blend’s unusual flexibility allows it to easily go into much further territory, so effects like vibrato, tape wow, flanger, smear, dissonance, even reverb – are just a few tweaks away.
LUNA VST, a modern producers hidden gem featuring 50 High-Quality presets in the styles of Trap, Hyperpop, Drill, Hip Hop, R&B and more. Luna was designed for producers by producers, every preset included is guaranteed to give you instant inspiration and will spark your creative side. All sounds were created with the modern producer in mind and that means no more soul searching to find the right preset. With LUNA making music will be a breathe of fresh air with it’s easy navigation and super intuitive UI design. Luna’s Built in effects include ADSR, LFO Depth, LFO rate, Reverb, Glide, Pitch, Width, Cut off, Voice mode, Velocity, Filter type, Waveform and Destination and more. These effects give you the ability to completely tweak and customize your sounds to your liking.