Visualizer 2 v2.1.0.2 WiN MAC

TEAM R2R | 08.03.2019 | WiN: 4.55 MB | MAC: 75.13 MB

WiN32/64 – EXE/VST/VST3/RTAS/AAX | MacOSX – APP/AU/VST/VST3/RTAS/AAX

Powerful, flexible Audio Analysis, giving you immediate access to precisely the information you need, when you need it, through a unique, intelligent window system. Measure, understand, correct. Visualizer gives you indispensable audio analysis for quality audio production, with a standardised reference set of professional tools that let you work faster, avoid mistakes, repeat past success and leverage the success of others. Visualizer’s unique intelligent window facility lets you select multiple view combinations, automatically resizing and aligning windows to maximise legibility and cross referencing information across screens. No need to switch between plugins to get the combination of views you want. User configurable presets let you switch instantly between setups and interface sizes to build the workflow that suits you.

RX 7 Audio Editor Advanced v7.01 WiN

Team R2R | March 08 2019 | 324 MB

PLATFORM : WiN32/64 – VST/VST3/AAX

RX 7: The Industry Standard for Audio Repair

Designed specifically for the demanding needs of music and post professionals, RX 7 continues to be the industry standard audio repair tool used on movies and TV shows to restore damaged, noisy audio to pristine condition. Get full control over your audio, whether it’s isolating vocals, rebalancing mix elements, or changing the inflection of spoken dialogue.

U-he All Effects Bundle 2019.3 WiN

Team V.R | 11 January 2019 | 108 MB

(Win32/64; AAX*, VST3, VST)

Enforcer v1.2.0 WiN

Team R2R | 03 Mar 2019 | 12.1 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

ENFORCER, a bass plug-in that adds irresistible punch, powerful body and a rigorous low-end bass impulse to your samples. You can heavily beef up sounds or add only a hint of weight. You can use it as a kick-drum synth, exchange kick drum tails and tune them easily using semitones or you can completely exchange given source sounds. ENFORCER – A scalpel for punch with unmatched precision.

Ravage v1.0.1 WiN MAC

P2P | 25.11.2018 | 49.77 MB

AAX • Audio Units (AU) • VST • VST3

Get heated overdrive with added life and movement – choose from six types of distortion, shape your signal with filtering and gain, and modulate the results with custom-drawn LFO shapes. Select from six modelled distortion algorithms: Tube, Digital, Diode, Linear Fold, Zero Sq and Rectify, each with a different personality for adding grit and dirt to audio. Use the Drive control to push the signal harder, and use the Destroy parameter to fully smash up any audio. There are high- and low-pass filters onboard, as well as a Dark/Bright slider to weight the distortion’s energy. Animate your distortion in Ravage’s Movement panel, which lets you assign modulators to one of eight destinations including Drive and Pan. With draw-your-own modulator shapes, you can customize an LFO’s movement using nodes and curves to whip up customised patterns. To take your modulation further, Ravage offers playhead reversal, waveform smoothing and pulse width manipulation.

Velo2 v1.0.1 WiN MAC

TEAM R2R | 17th Feb 2019 | WiN: 5.3 MB | 22.8 MB

AAX, AU, VST, VST3, x86, x64

After the soaring success of the original Velo, we thought it only right to take things to the next level!! You asked for additional features and we listened! Velo2 has been reworked from the ground up with an improved algorithm and additional sonic features such as lookahead and oversampling, combined with a sleek new retina ready interface, making this update a must have for all producers. The Velo2 is a brick wall limiter for maximizing loudness that features different options to influence colouration and transient preservation. As Velo2’s adaptive release makes the plug-in react quickly to the incoming signal, it’s a well-suited limiter for mastering any style of rhythmical music with pronounced transients, along with bus-processing beats, drums and rhythmical bass, guitar and synth parts.

Kara v1.0.1 WiN MAC

Team R2R | Feb 17 2019 | WiN: 3.8 MB | OSX: 12.5 MB

• AAX • Audio Units (AU) • VST • VST3

We love pluck sounds…who doesn’t, but often when you start layering different sounds, you find yourself at the bottom of the rabbit hole with the laborious task of going into each synth and tweaking the envelopes to make each sound cohesive. As the KARA is an audio processor and receives no midi information, the first task was to find a way to trigger the cutoff envelope in a stable way. We achieved this by creating an RMS trigger that works much like a compressor, so when the signal hits the user definable threshold, which is set using the Sens parameter, the envelope and filter are triggered creating the pluck sound.