DynaRide is an advanced gain rider plug-in with multiple detector programs and switchable pre-delay. On top of it DynaRide can enhance the output signal by limiting the riding process to specific audio signals like speech, vocal and bass.
Usually the final mix of a music production does not translate well with all audio devices (e.g. HiFi, car audio, smartphone) at the beginning. To achieve a well balanced audio spectrum in an effective manner is not easy to master! This is where Euphonia 2 starts: Euphonia 2 is an optimal audio spectrum balancing plugin which equalizes automatically any audio input based on a few standard average spectrum curves. These few standard curves have the advantage that they work very well with the majority of audio devices. Using Euphonia 2 right after the final mix of your music production could eliminate missing low/high end, mixing mistakes, general spectrum balancing problems or even compensate poor listening environment.
FinalLoud 2 is a loudness and True Peak finalizer tool. It is the successor of FinalLoud. FinalLoud 2 solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud 2 combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.
Gainrider 2 is a (vocal-) gain riding tool which gives fully control over the gain riding process. GainRider 2 is the successor of GainRider, our very popular gain riding popular. It offers more ride algorithms and reduces plugin delay.
ResonHeart is the physical modeling simulation of a never seen before, experimental, aerophone-based acoustic instrument. Characterized by a complex modal-based architecture, this original machine has expressly been built to mimic the sound of different families of acoustic instruments – like winds, membranes, chromatic percussions, ethnic lutes and whistles, glasses, cymbals and crashes, vocal ensembles and choirs, or even an entire orchestral strings section – as well as to produce very unconventional, organic tones, evolving textures and expressive motion pads.
The Pitchwheel plug-in freely alters the pitch and timbre of a sound in real-time. It has a large, easy to use dials and simple parameters making it a fast and creative effect unit. It can give fine tuning control from fractions of a semi-tone to huge multi-octave pitch swings.
gEQ12 is 12 band stereo/MS graphic equalizer with accurate spectrum analyzer and minimum/linear phase modes. Today’s mixing and mastering processes require a full featured but easy to use equalizer which can accurately shape the tone of a track , bus or master track. eEQ12 provides all necessary tools in one package paired with some unique features. The display shows the spectrum curve of incoming and outgoing signal. gEQ12 has the unique feature that the outgoing spectrum is directly calculated from incoming spectrum (incoming spectrum – filter curve = outgoing spectrum). This allows you to capture the incoming signal, to freeze it and to modify then the filter curve based on the altered outgoing spectrum. The filter response is controlled by 12 individual filter bands. Each filter band has its own display handle, which can be adjusted by mouse.
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