MH CGII v4 WiN

Team R2R | 09 October 2025 | 21.9MB

CGII: Make it Good & Loud!

CGII is comprised of two uniquely complementary dynamics enhancement sections, a new True Peak Limiting stage, DC blocking and dither with LUFS/true peak metering via spiffy tube filament displays, all operating at up to 16x over-sampling (or none at all – depending on your tastes). The design prioritizes musical integrity and ease of use, with the ability to add effective loudness, weight and definition without diminishing spatial depth and visceral impact the way traditional dynamics processors often do. Use CGII to make your masters loud without losing the clarity, density and heft of the original mix. Even if you are working with a mix that is already loud, you can give it a little extra, without adding unpleasant distortion and without flattening out the material and sucking the life out of the low end. At the same time you can control the true-peak level of the program to ensure that there are no inter-sample overs.

LittleOne v3.2.1 WiN MAC

Team R2R | 29 Apr 2020 | WiN: 14.3 MB | MAC: 11.9 MB

LittleOne, a faithful emulation of a new classic: the Moog Little Phatty analog synthesizer. To produce the same rich and warm sound of the original hardware, LittleOne emulates every single component of the Little Phatty (oscillators, filter, envelopes, LFO …), preserving the original frequency responses and frequency ranges. The result is an analog-sounding instrument – all in the digital domain. But it’s not over…. In addition to the Little Phatty synthesizer emulation, LittleOne encloses a full rack with a 16-step MIDI sequencer, a 16-step trancegate effect and two master effects slots.

M-De-Esser 2 v1.0 WiN

BUBBiX | 06 February 2025 | 24.51MB

M-De-Esser 2 takes spectral de-essing to the next level with significantly improved precision, sound quality, and intelligent features. It continuously analyses your audio, adapting its processing to target excessive sibilance with greater accuracy. The result is smooth, transparent de-essing that preserves the natural tone and dynamics of your track while ensuring clarity in every mix.

Pedal MULTiDRiVE PRO MAC

GUiSEPPE | 08 October 2025 | 182MB

.: AAX, AU, VST, VST3: x64 :.

Sharpen your sound with the set of 12 legendary stompboxes.

You can never have enough pedals in your studio. There are thousands of stomp boxes on the market of different sound, purpose and quality. We chose 12 legendary pedals to revive the legacy of the famous DSound Stomp Boxes and Pedals and created MultiDrive Pedal Pro – the perfect combination of distortion, overdrive, fuzz & boost is the right blend for your studio developed by professionals.

TONEX MAX v1.10.4 WiN

Team TCD | 07 October 2025 | 2.9GB

PLATFORM: STANDALONE/VST/VST3/AAX

AI Machine Modeled tone creator, player, browser

Experience hyper-realistic Tone Models. A revolutionary concept in rig modeling, and the core of the TONEX ecosystem, TONEX software uses breakthrough AI Machine Modeling™ technology to let you model the sound of any amp, cabinet, combo or pedal, and turn it into a plug-in, all with a sonic accuracy that’s virtually indistinguishable from the real thing.

FXEQ v1.0.0 MAC

MORiA | 07 August 2025 | 234.97MB

Creative FX through the workflow of an EQ

5 powerful creative effects. 1 innovative EQ workflow. Easily add drive, dimension, and texture without complex routing, buses, and sends.

KORG Multipoly Native MAC

MORiA | 07 August 2025 | 136.77 MB

..: AU, STANDALONE, AAX, VST3, 64Bit :..

Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility. It’s already garnering acclaim as one of the best synths of the year. Now, Korg is pleased to announce multi/poly native, the fully-compatible software counterpart to the hardware multi/poly synthesizer. multi/poly native is available in VST3, AAX, and standalone formats on both macOS and Windows, as well as AU on macOS. You can seamlessly exchange sounds between hardware and software, and access an increasing number of excellent third-party libraries, keeping the updated sounds and software fresh. Produce in your DAW with multi/poly native, and then play the same sounds on stage using the multi/poly hardware. Create sounds with the hardware’s hands-on interface, and then share them with a computer-based collaborator.