Infected Sounds Plugins Bundle
Team R2R | 02 July 2023 | 849 MB
PLATFORM: VST/VST2/VST2i/VST3/VST3i/x86/64
Viewed 35501 By Music Producers & DJ´s.
The Polysix programmable six-voice polyphonic analog synthesizer was introduced in 1981. With a surprisingly full-sounding voice structure, chorus/phase/ensemble effects and performance functions such as chord memory, arpeggiator, and unison the Polysix became a world-wide hit. Its distinctive string and pad sounds are often heard to this day. In addition to faithfully replicating the sound of the original, the Polysix software synthesizer also adds enhancements such as 32-voice polyphony (max), up to 16-voice unison (with detune/ spread function), flexible external modulation settings, MIDI clock synchronization, and a spread function that adjusts the spaciousness of the effects — functionality that brings this classic synthesizer up to date for modern music production. The interface provides reorganized knobs and switches that resurrect the Polysix in a contemporary “rack-mountable” form for even more intuitive operation and sound-creating versatility
Emulator II V is the perfect dusty lo-fi sampling toolkit, combining the old-school digital grit that you love with the cutting-edge creative flexibility that you need. Emulator II V is a multitimbral sampling machine that brings E-Mu Systems’ seminal digital workhorse back to life in all its nostalgic glory – with a slick modern edge. Its unique combination of high-fidelity 8-bit sound, warm analog filter, and instantly-recognizable sample library is sure to spark instant creativity, just as the original once did. When you want lo-fi grain, ‘80s sheen, or a sampling flow that stands out from the crowd, look no further.
Proclethya is a software synthesizer with analog characteristics. It is developed with three fundamental principles of analog in mind. DRIFT, NOISE and DISTORTION. The synth features dual oscillators with doubling, FM shaper, analog filters, unison per oscillator, SUB & NOISE oscillator, dual mix mode, powerful arpeggiator, EQ, FX and more… Oscillator A has five waveforms to choose from (Sine, Saw, Square, Triangle and Noise). Pulsewidth can be set for the Square and Triangle waveforms. Both oscillator A and B have a second doubling oscillator which can be activated by pushing the “2nd” button. The doubling oscillator can be detuned and the output can be forced to mono which gives a slight combing effect, a great effect when creating pads. The “Drift” knob introduces variations in pitch or drift which was inherent in old vintage hardware. Unison with up to 9 voices with control for detune and spread is per oscillator.
The AcidBox V2 is a bass line synthesizer, a recreation of the iconic 303 bass line synthesizer from the 80’s with a new interface, which makes it easier to create real-time sequences and tweak them in a live situation. Get your live performances further with ACID BOX, a bass line synthesizer with custom functions, a 16 to 64 steps sequencer, and 6 integrated effects. A simple tool for real-time creation. AcidBox is inspired by works from Techno and House artists like Daft Punk, Aphex Twin or Laurent Garnier, with their use of vintage 80’s synthesizers and influences stemming from the Acid House genre.
Originally part of the first Korg Legacy Collection and later the Korg Legacy Collection: Analog Edition 2007; the MS-20 is now available individually. As the original manufacturer, Korg is uniquely qualified to recreate our vintage analog synthesizers as software instruments. Magesy Korg’s proprietary Component Modeling Technology (CMT) recreates the original circuit path and analog signal flow, to provide results that are completely faithful to the original hardware. The MS-20 is designed to run as a stand-alone program; or as a VST, AU or RTAS Plug-in, making it compatible with nearly any DAW software studio package. The MS-20 software synthesizer provides a complete simulation of its legendary original. In addition, it gives you modern advantages such as up to 32 voices of polyphony and up to 16-voice unison (with detune/spread function). Flexible external modulation settings and MIDI clock synchronization have also been added, giving you even greater creative potential.
The Mono/Poly is Korg’s four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 and was considered the culmination of Korg’s experience building analog synthesizers. It was released at the same time as the Polysix, and because of their capabilities, these two magesy instruments caused a revolution in the synthesizer world. Many musicians acclaimed the Mono/Poly as Korg’s best synthesizer yet, with a number of unique characteristics. It provided four VCOs, each providing adjustable pitch, waveform, octave, and level, which could be stacked together for massive sounds, or cycled through one at a time for constantly shifting timbres. Together with one VCF, one VCA, two EGs, and two MGs it provided a powerful yet accessible programming structure.