The vintage breeze of classic studio equipment combined with modern day, easy to apply digital processing makes this bundle the perfect chain of tools for everyday mixing.
Introducing Mantis307 a fat, mean, and rubbery VSTi synth that was influenced by the raucous sonic stylings of classic synths like the tb303, mc202, nord3, OSCar and juno60. Features killer unison and distortion, as well as an agressive constant time slide (predictable portamento). In addition, 2 oscillators + subosc per voice, sync, mono and polyphonic modes, keyboard tracking, and 3 envelope curve types. (and much much more!). And with a super low CPU footprint that lets you layer many mantis sounds without breaking a sweat. Mantis307 was created for raw acidic sound design! ::: Mantis really shines when used like a tb303, as a bassline acid monosynth. To get you started, there are several teebee presets to get the aciiid juices flowing. But don’t be fooled, Mantis’s range of sounds include much much more than just 303 and basses, hit the audio samples below to see.
Lore is an advanced sound design workstation inspired by musique concrète, microsound and other pioneering sound technologies of the past several decades. It combines spectral and granular engines along with several other features designed to unleash the power of microsonic resynthesis.
Shrike is an advanced shimmer designer. It processes an octave-shifted reverb through a matrix of 4 LFOs to create pulsating, fluctuating space effects. Between the different LFO settings (rate and waveform) you can generate cross-modulation from the controls, getting pulses and swell patterns that never repeat. For example, it is interesting to set different rates per control for overlapping, modulating spaces. Or turn the LFO rates toward the fastest speed for amplitude modulation artifacts. A slapback delay adds to the sound design possibilities as you can adjust it according to your spatial feedback needs.
Ember is a sophisticated microsound collage tool that employs granular resynthesis to configure complex sound composites. Inspired by musique concrète pioneers of the past several decades, Ember harnesses modern digital algorithms with classic splicing techniques to create dense and evolving soundscapes. Point it to a folder of sounds and Ember will generate a composite of granular textures that you can later use in your electronic composition process. Ember employs granular resynthesis in the powerful Csound sound programming language to explore a collage of sounds on the particle level. Select a folder containing more than one sound and an output folder. Hit “Render” and Ember pulls a number of sounds from the folder and selects a playback slice from each one. It then creates granular composites of all sounds together with various time stretching, density and spatial algorithms.
If you’re looking for a top-quality channel strip that will give your audio recordings the professional edge they deserve, look no further than Audio Assault’s AA-551! This strip provides everything you need to get the most out of your recording, including Preamp, EQ, Compressor, and more. With its superior sound quality and easy-to-use controls, the AA-551 is the perfect choice for anyone serious about taking their audio recordings to the next level.
One of the most important parts of getting a good mix is your ability to mix before ear fatigue sets in. This is why sometimes plugins that give you control over every little detail often lead to worse mixes. This is where T-Bone comes in. T-Bone is designed to be fast. Get in and get out. It gives you quick access to all the necessary tone adjustment tools that 95% of your tracks need. Adjust the brightness, focus, air and beef with simple and fast controls. And when you are done, you can check your sanity with the “intensity” control, which lets you dial back everything (or dig in harder) if you’ve overdone it.
