The flexible, intuitive Retrologue emulates the warmth and fatness of classic analog synthesizers. Three virtual analog oscillators and a first-class set of filters produce a wealth of rich, inspring sounds; its adaptable arpeggiator, powerful modulation system and FX rack help make Retrologue the first choice for producers everywhere.
The flexible, intuitive Retrologue emulates the warmth and fatness of classic analog synthesizers. Three virtual analog oscillators and a first-class set of filters produce a wealth of rich, inspring sounds; its adaptable arpeggiator, powerful modulation system and FX rack help make Retrologue the first choice for producers everywhere.
The Riser is an all-new instrument for designing musical transitions of epic proportions. A powerful, synth-based instrument, The Riser features all of the tools you need to compose heart-stopping transitions in one intuitive user-interface. In seconds, you can construct rises, falls, swells, fades, and more, based on our coveted sound synthesis technology. For instant inspiration, The Riser includes 300 pro-grade presets that you can edit, deconstruct, copy, mangle, and implement into your tracks. Transitions add suspense, hype, drama, and movement to your music. Cymbal swells and reversed instruments were go-to transitions for years, until the DAW pioneered fast and flexible audio editing, paving the way for complex sound effects. When combined with synths and other audio shaping tools, transitions completed their metamorphosis from science to art. Until now, this process has convoluted and time-intensive, taking attention away from the overall project itself. The composer spent more time trying to get plugins, virtual sample players, hardware effects, sound modules, and other gear to play nice with each other – and that was before hitting “record”.
Hybrid 3.0 is the next generation in synthesis. This high-definition virtual synthesizer combines the coveted warmth of analog synths with a full range of futuristic digital manipulation capabilities. The result is the best of both worlds — a virtual instrument with a comprehensive set of precisely adjustable parameters that can sound like a synth you remember or something no one has ever heard before.
The DNA of a complete synth rack. All the features of a sought-after early analog modeling synth, plus the best elements from legends like the Roland Jupiter 8, Access Virus, Nord Modular 2, Mono/Poly, and RADIAS. Dozens of oscillator engines, waveshapers, and effects. 5 filter styles. A complete mod matrix. Ideal for 80s analog synth music, 90s classic trance, modern EDM, digital hardcore. The signature sound and magic of hardware at a fraction of the price.
Hybrid 3.0 is the next generation in synthesis. This high-definition virtual synthesizer combines the coveted warmth of analog synths with a full range of futuristic digital manipulation capabilities. The result is the best of both worlds — a virtual instrument with a comprehensive set of precisely adjustable parameters that can sound like a synth you remember or something no one has ever heard before.
The Riser is an all-new instrument for designing musical transitions of epic proportions. A powerful, synth-based instrument, The Riser features all of the tools you need to compose heart-stopping transitions in one intuitive user-interface. In seconds, you can construct rises, falls, swells, fades, and more, based on our coveted sound synthesis technology. For instant inspiration, The Riser includes 300 pro-grade presets that you can edit, deconstruct, copy, mangle, and implement into your tracks. Transitions add suspense, hype, drama, and movement to your music. Cymbal swells and reversed instruments were go-to transitions for years, until the DAW pioneered fast and flexible audio editing, paving the way for complex sound effects. When combined with synths and other audio shaping tools, transitions completed their metamorphosis from science to art. Until now, this process has convoluted and time-intensive, taking attention away from the overall project itself. The composer spent more time trying to get plugins, virtual sample players, hardware effects, sound modules, and other gear to play nice with each other – and that was before hitting “record”.
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