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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Elektrik Piano 1.5 Kore1 Sounds MAC OSX UB-DYNAMiCS
    July 14th, 2014 ⚡
    Categories: macOS, NI, UB

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    Elektrik Piano 1.5 Kore1 Sounds MAC OSX UB

    TEAM DYNAMiCS | 11/19/2007 | 22.61 MB

    Version 1.5 sees the acclaimed e-piano software reach a new level in realism and dynamic playability. The four classic electric pianos have been refined in almost every detail, and their range expanded with 16 new and stunningly authentic instrument presets. Now based on the KONTAKT 2 engine, ELEKTRIK PIANO 1.5 boasts many additional features for an uniquely vivid sound – plus Intel Mac compatibility.



    Viewed 6180 By Music Producers.


    • Kresearch Kr Space VST v1.51 AU UB VST WiN MAC-Peace Out & DYNAMiCS
      June 4th, 2014 ⚡
      Categories: AU, Kresearch, macOS, UB, VST, WiNDOWS

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      Kresearch Kr Space VST v1.51 AU UB VST WiN MAC

      TEAM´S Peace Out & DYNAMiCS | 2009 | WiN: 8.30 MB | MAC: 7.7 MB

      Modular Reverb/Echo Based MultiFX

      KR-Space is a modular multi-effect plug-in which can produce a multitude of different types of effects, from traditional echoes and reverbs, to very complex soundscapes, modulation and filtering effects, resonating echoes and reflections, saturation effects and other types of unusual effects. To achieve this wide range of effect creation KR-Space uses a proprietary design and a flexible modular architecture where the different available modules can be switched on and off or routed in various combinations allowing more flexibility in effect design. The modular architecture also allows more efficient CPU utilization since only the modules that are switched on contribute to the CPU overhead. KR-Space introduces the Animated Object Space Emulator (AOSE) where the user has control over a number of spherical objects which are placed in the virtual environment and affect the sound output in a multitude of ways. These objects have various user controlled characteristics like size, resonance, oscillation frequency, reflection characteristics, etc. and can be animated (moved) in the virtual environment affecting the sound output. Additionally, the main reverberation engine features separate damping controls for early and late reflections allowing more detail filtering control, thus expanding the total range of available effects. It also introduces KResearch’s Asymmetric Reflection Scheme for more realistic reverb and echoes creation.



      Viewed 12203 By Music Producers.


      • Vember Audio SURGE 1.5.3 VSTi AU MAC OSX UB
        May 3rd, 2014 ⚡
        Categories: AU, macOS, Vember Audio, VSTi

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        Vember Audio SURGE 1.5.3 VSTi AU MAC OSX UB

        Team DYNAMiCS | 10.05.2009 | 20.85 MB

        Surge is an instrument capable of generating truly beautiful sequences of numbers. Your ears will agree with us. A digital recording is just a sequence of numbers. Easily quantifiable as ones and zeros, stored on physical media, combined together into larger numbers to form a continuous stream of data. Until you listen to it. Then it becomes real.



        Viewed 9365 By Music Producers.

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        • PlastiCZ AU UB VSTi 1.1.0 WiN MAC-ASSiGN
          April 5th, 2014 ⚡
          Categories: AU, macOS, rFX, UB, VSTi, WiNDOWS

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          PlastiCZ AU UB VSTi 1.1.0 WiN MAC

          TEAM ASSiGN | 25 DECEMBER 2010 | PC: 6.62 MB | MAC: 1.48 MB

          PlastiCZ sounds different. With two phase-morph oscillators and AM you can coax completely new sounds from PlastiCZ. PlastiCZ has a simple and clearly arranged user interface, the individual modules are differently coloured from each other and all parameters are always accessible. Ten insert-effects give that certain extra to the sounds and offers further possibilities for extravagant sounds.



          Viewed 12035 By Music Producers.


          • PSP Neon HR v2.0.4 AU VST RTAS MAC OSX-Cook
            March 24th, 2014 ⚡
            Categories: AU, macOS, PSP AudioWare, RTAS, UB, VST

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            PSP Neon HR v2.0.4 AU VST RTAS MAC OSX

            Team Cook | March, 24 – 2014 |  7.67 MB

            PSP Neon is a fully featured linear phase equalizer plug-in (VST, RTAS and AAX for Windows and AudioUnit, VST, RTAS and AAX for OSX) that offers eight bands of equalization, each of which can be assigned one of seven filter types. PSP Neon uses frequency-domain fast convolution based linear phase algorithms for the best balance between CPU efficiency and phase accuracy. For those who want to use the excellent analog-modeled PSP Neon filters in even more CPU critical applications, you can even toggle off the linear phase mode and take advantage of PSP Neon’s minimum phase error Infinite Impulse Response (IIR) mode!



            Viewed 9919 By Music Producers.

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            • Spring Reverb Type4 v1.0.1 AU VST UB WiN MAC
              March 11th, 2014 ⚡

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              Spring Reverb Type4 v1.0.1 AU VST UB WiN MAC

              VST AU PC & MAC OSX UB REPACK-DYNAMiCS

              Team DYNAMiCS & AiR & NEMESiS | 01-26-2009 | 6 MB

              A spring reverb is a system to obtain artificial reverberation invented during the 40’s by Laurens Hammond (also inventor of the Hammond Organ). In a Spring Reverb pan, the audio signal is coupled to one end of the spring by a transducer (a device that can convert electrical energy into mechanical energy or viceversa). This creates waves that propagate through the spring in both directions. At the other end of the spring there is another transducer that converts the motion in the spring into an electrical signal, which is then amplified and added to the dry sound. Most spring reverb units use several springs together, with each spring having its own characteristics (length, dimensions, tension, etc.) resulting in a natural reverberation by summing several delayed sounds at fixed or random intervals. However, with real spring reverbs the user isn’t allowed to change these characteristics. A software simulation like Type4, on the other hand, allows you to adjust parameters like “decay” (reverb duration), the dampening factor, the virtual spring tension and other parameters that affect the overall timbre of the reverb effect. Why should you want to use a spring reverb rather than a precise and modern digital reverb? Spring reverbs have typical sonic characteristics that, nowadays, make them desirable mostly as effects on their own rather than simulations of an acoustic phenomena.



              Viewed 6495 By Music Producers.

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              • SoundQuest MidiQuest XL v10.0.5 MAC OSX UB-ArCADE
                February 12th, 2014 ⚡
                Categories: macOS, UB

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                SoundQuest MidiQuest XL v10.0.5 MAC OSX UB

                TEAM ArCADE | 30.10.2010 | 62.55 MB

                Software synths and effects have some great advantages. They work right inside your sequencer; you can easily store and access all of your sounds on the computer; and if you want, you can automate changes to your sounds while your sequence plays. All you have to do is twist the knobs of your soft-synth to record the changes. With Midi Quest 10 XL, all of those great features that you have for your soft-synths are now available for your hardware synths and effects. Imagine being able to integrate all of your MIDI hardware into your digital audio sequencer and using it the same way you use your soft-synths. With Midi Quest XL, you can.



                Viewed 14885 By Music Producers.

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