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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Impact v1.1.1 AU VST2 VST3 x64 WiN MAC-R2R
    October 1st, 2023 ⚡
    Categories: AU, macOS, VST, VST3, WiNDOWS, x64, x64

    Impact v1.1.1 AU VST2 VST3 x64 WiN MAC-R2R-MaGeSY

    Impact v1.1.1 WiN MAC

    Team R2R | 02 September 2023 | WiN: 9.8MB | MAC: 25.6MB

    The most versatile tool for reshaping the dynamics of drums, loops, and much more. Impact is designed to help with the more nitty-gritty, detail-oriented aims of transient shaping. The multi-channel processor is switchable between one, two or three bands of transient modification — this means that different frequency bands can be adjusted independently, so that if you wanted to emphasize the attack of some airy hi-hats while, in the same sample, dulling the attack of a low-rumbling kick drum, you could do simply by adjusting the Attack and Sustain controls for each frequency band.



    Viewed 38617 By Music Producers.


    • Ramp v1.0 REGGED WiN MAC-FLARE
      August 12th, 2022 ⚡
      Categories: AU, macOS, VST, VST3, WiNDOWS

      Ramp v1.0 REGGED WiN MAC-FLARE

      Ramp v1.0 WiN MAC

      Team FLARE | 12 August 2022 | WiN: 45.3MB | macOS: 34MB

      RAMP IS A VOLUME SHAPER PLUGIN.

      Looking to quickly “duck” your chords, bass, and beats with bandpass filtering? Ramp gives you easy-to-use controls and musical presets to get you the volume shapes you’ve wanted without tediously tweaking for hours. Just use the simple controls to get any type of volume ramp synced to the tempo at different beat divisions. Use the band sliders to affect only the frequency range you desire. Great for Lo-fi, house, EDM, and other genres



      Viewed 12957 By Music Producers.


      • Impact v1.1.1 U2B macOS-TRAZOR
        July 24th, 2022 ⚡
        Categories: AU, macOS, U2B, VST3, x64, x64

        Impact v1.1.1 U2B macOS-TRAZOR-MaGeSY

        Impact v1.1.1 U2B macOS

        TRAZOR | 25 June 2022 | 23.8 MB

        .: VST3, VST, AU :.

        The most versatile tool for reshaping the dynamics of drums, loops, and much more. Impact is designed to help with the more nitty-gritty, detail-oriented aims of transient shaping. The multi-channel processor is switchable between one, two or three bands of transient modification — this means that different frequency bands can be adjusted independently, so that if you wanted to emphasize the attack of some airy hi-hats while, in the same sample, dulling the attack of a low-rumbling kick drum, you could do simply by adjusting the Attack and Sustain controls for each frequency band.



        Viewed 9834 By Music Producers.


        • Transgressor v2.0.x WiN MAC (REPACK)-R2R
          July 7th, 2022 ⚡
          Categories: AU, macOS, VST, VST3, x64, x64

          Transgressor v2.0.x WiN MAC-R2R

          Transgressor v2.0.x WiN MAC

          TEAM R2R | 7 July 2022 | WiN: 3.5 MB | MAC: 9.09 MB

          PLATFORMS: AU, VST2, VST3, 64Bit

          Not Just Another Transient Designer

          A true one of a kind, Transgressor goes beyond the limits of standard transient designers. It gives you the ability to craft the sound of drums and other instruments not just in terms of attack and sustain, but timbrally as well. The Transgressor combines a transient designer with two equalizers. No big deal you say? Any EQ plug-ins will do? Au contraire mon frère. Transgressor not only lets you equalize the attack and sustain portions of the instrument’s envelope individually (yes, you read that right; attack can be equalized differently from sustain), but it also lets you dial in the specific low, mid, and high frequencies independently on each. What if you need a brighter attack but want to keep the dark resonance of toms or kick drum? Perhaps you need more midrange attack but wish to brighten the resonance of a hi-hat? Perhaps you’re happy with the overall sound of snare but the attack is just a little too bright. The answer is the Transgressor (you must have seen that coming). Only Transgressor gives you the ability to control transients and sustain without compromising one for the other.



          Viewed 15443 By Music Producers.


          • Sculpt v1.0.5 WiN (Rev2) MAC-TRAZOR
            February 24th, 2022 ⚡
            Categories: AU, macOS, VST, VST3, WiNDOWS, x64, x64

            Sculpt v1.0.5 WiN MAC-TRAZOR

            Sculpt v1.0.5 WiN MAC

            TRAZOR | Feb 24 2022 | MAC: 75.6 MB | WiN (Rev2): 67.7 MB

            SCULPT is built on top of four dynamic modules that run in parallel. Combined, these modules form the ultimate dynamics, tone, and transient shaping workhorse.



            Viewed 9590 By Music Producers.


            • Pancz v1.0.0 WiN (REPACK) MAC-FLARE
              September 18th, 2021 ⚡
              Categories: AU, macOS, VST, WiNDOWS

              Pancz v1.0.0 WiN MAC-FLARE

              Pancz v1.0.0 WiN MAC

              Team FLARE | 10 August 2021 | WiN: 9.63 MB | MAC: 10 MB

              ..:: AU, VST, VST3, x64 ::..

              What is Pancz? Pancz is an audio plugin equipped with a powerful multiband transient shaper, clipping tool, precise waveform analyzer and additional tone manipulation effects. It uses complex audio processing to directly control the shape of the sound. With its convenient waveform window and a “cut line” you are able to visually manipulate the sound making it look and sound the way you want it to. Additional sets of controls will bring your sounds to life making them feel polished and professional.



              Viewed 9190 By Music Producers.


              • TS-1 Transient Shaper v1.3.1 macOS-SPTNDC
                July 17th, 2021 ⚡
                Categories: AAX, AU, macOS, VST

                TS-1-Transient-Shaper-v1.3.1-macOS

                TS-1 Transient Shaper v1.3.1 macOS

                SPTNDC | 17 May 2021 | 13.4 MB

                ..:: VST2, VST3, AU And AAX 64-bit ::..

                TS-1 features two separate detection circuits for Attack and Sustain, whose signals can be filtered to improve the detection (SC filtering) or to color the processed audio. A soft clipping circuit will gently saturate and “compress” your signal, in a similar way to a tape saturation. Starting with version 1.1, TS-1 now features two distinct modes named Type A and Type B. While Type A retains the original TS-1 algorithm, Type B is a brand new one featuring inverse envelope curves on negative gain values.



                Viewed 12665 By Music Producers.


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