Sample Alley Collection Vol.1

P2P | 22 August 2025 | 2.09 GB

..: 40 ORIGINAL COMPOSITIONS :..

Foggy A Cold Night’s Soundtrack “Foggy” is a moody and cinematic journey into the world of Jazz Noir — the perfect blend of smoky atmospheres, haunting melodies, and vintage textures. This pack was crafted with a deep love for the mysterious and soulful side of jazz, blending upright bass, brushed drums, mellow horns, dusty pianos, and ambient textures that evoke late-night alleyways and noir cinema vibes.

Chordless KONTAKT 8

OHSiE | 16 June 2025 | 1.2 GB

Chordless is a deeply-sampled Kontakt instrument built from the original 1981 Suzuki Omnichord. It offers authentic lo-fi textures, tape-recorded samples, and a comprehensive creative toolset designed for modern production workflows. Chordless delivers the authentic sound and versatility of a vintage Omnichord, enhanced with modern features and tape-recorded charm, suitable for composers, producers, and sound designers across multiple genres.

HALFBLOOD 2 KONTAKT

Team ViP | 18 December 2024 | 3.65 GB

HALFBLOOD 2 takes the original concept of its namesake, and sprints a marathon up to the next echelon. We have 130 unique live sampled sound sources, with 104 coming from worldwide and far flung live organic instruments, and 26 from live synths. The library is chock full of creativity inspiring textures and sound pallets. With 4 possible voices to load, across all 130 textures on offer, we have access to over 11 million sound combinations. With individual sound processing chains, the patch creating possibilities are infinite. Or load one of our curated 500 pre-baked presets that come packed with the engine.

Plastic Kit🧱

FANTASTiC | 11 August 2025 | 25.7 MB

Featuring foley recordings of plastic textures and tones layered with unique drum hits.

Wind & Glass for HALion

P2P | 29 May 2025 | 3.2 GB

A Symphony of the Elements: Woodwind Ensemble, Rare Synths and Glass FX Materials – Wind & Glass invites you into the world of a beautifully sampled woodwind ensemble and combines it with airy synthesizer textures, flutes like the Fujara and Bansuri, and atmospheric sound effects shaped by wind and glass. It’s a fresh breeze of inspiration for your sound palette. 3.6 GB wind instruments, synthesizers and atmospheric FX. Extended playing techniques by an 11-piece woodwind ensemble. Up to four customizable layers with multisamples, wavetables and granular. Over 150 presets.

Spark KONTAKT

Team ViP | 27 July 2025 | 3.02GB

Hybrid & Unique

Spark is a playground of bite-sized sounds that blur the lines between organic charm and electronic precision. From crisp synth stabs and shimmering mallets to quirky percussive blips, every sound in SPARK is designed to catch the ear and ignite ideas. Built on a 2-layer hybrid engine, SPARK lets you weave together unexpected sonic pairings — a glockenspiel flicker wrapped in analog warmth, or a dusty synth chirp bouncing off a wooden click. The result? Sounds that feel alive. Playable textures that groove, glitch, glide, and growl — perfect for inventive hooks, driving patterns, and musical surprises. SPARK thrives in the space between rhythm and melody. It’s fast, fresh, and deeply inspiring. For composers, producers, and sound designers alike, SPARK is your go-to tool when the usual just won’t do.

Cubase: Ambient Texture Sound Design

HiDERA | 11 May 2025 | 462 MB

Looking for some new pad sounds for your ambient-style productions in Cubase? We’ve got you covered! In this Cubase video tutorial series, sound design guru Gary Hiebner shows you how to design your own lush, ambient pads using what you already have in Cubase, including VIs like Retrologue and Padshop, along with sampling/resampling techniques and other tips. By the end of this Cubase sound design course, not only will you know enough to start designing your own unique pads and ambient textures for your very next track, you’ll also be much more familiar with these instruments in general, making sound design quicker and easier overall. These Cubase production videos are designed for Cubase users familiar with Cubase and looking to learn how to create new pad sounds. To kick things off, Gary briefly discusses pads in general, explaining what they are and how they’re typically used in most productions. He then familiarizes you with the virtual instruments in Cubase that he’ll be using throughout the course. Then he concentrates on using pads for a song’s intro, demonstrating how to layer various synth pads together to create a complex, evolving sound.