A great sound starts with a quality signal chain. In this first installment of the Foundation Series, you will learn the basics of audio starting with the source, and then moving step by step down the line to the finished product.
Essential guide to building your own recording and mixing studio. A professional studio in San Diego CA. He developed this very insightful guide on how to build your own studio. He talks about everything, including choosing a proper location, building, sound proofing, purchasing gear, and much more. He spent many years researching in order to create his studio, and now this information is available to help you make the best decisions. His story and process of creating his studio will help you prepare for what’s next.
Flutter Dust Module is a new Kontakt sample instrument that uses long and complex multisampled acoustic ‘wavetables’ that scan in real time to create beautiful organic, evolving and un-expected new sounds. Like the Mellotron, Flutter Dust Module is based on recordings of acoustic instruments– but the extra functionality of the Kontakt engine takes the Flutter Dust Module to places of which the tape-based Mellotron could only ever dream. Creating woozy, ghostly versions of real world timbres, users can just move the playhead position or loop points to construct new sounds – punch-drunk orchestral pads, delicate flute-otrons, majestic organ-celeste, complex poly rhythmic Phillip Glass scapes…and more, all at the click of a button (well, a few buttons).
Sonic newcomer and Annie Mac favorite ‘KC Lights’ brings you a no-nonsense course in FL Studio. How To Make House 2016 in FL Studio, gets straight to the point with no messing. This is a rock solid piano house course, takes you through the production process from laying down the first kick, to the mixing and mastering of your new Beatport monster. From the beginner producer, right through to the advanced user, learn from a truly rising star of the scene. The young Scottish talent caused quite a stir in 2015 with successes such as Lose It All, racking up over 250k plays across the Internet with support from the likes of Rudimental as well as what has become a solid Ibiza 2015 anthem “No No No”. Garnering an impressive tally of radio 1 plays, No No No received a heavy backing from Annie Mac, who closed her Sonar and TITP sets with the number and included it in her famous AMP 2015 compilation.
Get inspired with a deep, creative look at the Arpeggiator MIDI effect in Logic Pro X. In this 11 part video course, takes you through some of the exciting musical possibilities you can achieve with the arpeggiator including all the features on offer and exactly how you can make use of them. Discover new and creative ways to create complex melodic sequences and even percussive hits. From crafting deadly hooks, to breathing new life in to your melodies, to juicy ideas for live performance – if you’re a Logic Pro X user who’s keen to add more skills to your arsenal, or you want to inject your productions with fresh inspiration using tools already at your disposal, this course is for you!
In this video tutorial series, studio guru shows you the ins and outs of u-he’s amazing compressor Presswerk, as well as how to use it on your instruments! Brock starts with an introduction to Presswerk, and a brief background of software developer u-he. From there, Brock reveals all the controls you’ll find in Presswerk, diving deep into the Compression, Dynamics, Mix, and Meter sections. That leads into an exploration of Presswerk’s sidechain and saturation circuits. Next, Brock shows you how you can use Presswerk to add punch to both individual drum tracks and the drum bus, as well as how to thicken the mix by using Presswerk on bass.
Welcome to our 1st Logic Pro X FastTrack™ course. The goal of the FastTrack™ series is to teach you highly focussed, pro tips as fast as possible! Join Booker Edwards to unleash the power of pro audio editing in Logic Pro X. Many Logic users don’t have the slightest idea how powerful Logic’s audio editing tools really are. You often hear: “I record in Logic, but I edit in Pro Tools”. But did you know that more and more top engineers and producers do all their heavy audio editing right in Logic? There’s a reason for that: Editing audio in Logic is really powerful if you know how to use the audio tools!
