Sound & Vision is at the forefront of the ever-changing, always dynamic world of electronic entertainment. Authoritative and accessible, written with insight and humor, Sound & Vision is the preeminent source for consumers of home theater, audio, video, and multimedia products.
Sound design delivers an Experimental Bass sound design video tutorial series! See how to make the sounds that define this popular electronic music genre, including ways they are used in EB productions. These videos are for electronic music sound designers who are looking for guidance on creating Experimental Bass sounds specifically. Thomas begins with the quintessential sound of Experimental Bass, the Noise Bass, which is a heavy foundational bass patch upon which many of these songs are based. He then shows how advanced distortion is used to give the bass more punch and aggression, but without compromising the low end frequencies. Next, you’ll see how to make both a Sine Magesy Compression Bass patch and a Heavy Reese Bass patch from scratch, which are other staple bass sounds of this genre. Thomas then shows you how to make bass sounds suitable for fills, including an aggressive modulated bass patch, a textured growl bass sound, and a powerful Resse stab sound, perfect for Experimental Bass music. Last but not least, you’ll explore making melodic patches such as an 8-Bit Stab, Pluck Lead, Arpeggio Lead, and a Textured Chord sound, all step by step, so you understand what makes the sounds found in this genre, enabling you to then make your own custom presets from scratch.
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Sound & Vision is at the forefront of the ever-changing, always dynamic world of electronic entertainment. Authoritative and accessible, written with insight and humor, Sound and Vision is the preeminent source for consumers of home theaters, audio, video and multimedia products.
Kristall – a plugin inspired by Arovane’s Gestalt, out now on Tapes. Kristall is a unique delay device that creates “prisms” of echo patterns. It sends audio through a delay feedback line and resamples the output into 2 discrete branches. You can then manipulate each branch independently and adjust playback locations for each channel. Use Kristall as a simple delay or create segmented repetitions from the feedback buffer that modulate and overlap. The result creates complex patterns that augment the delay feedback in unconventional ways, uncovering myriad possibilities for sound experimentation.
This class is a crash course in Music Production and Sound Synthesis using Reason software. The class is intended to be accessible for anyone who has opened Reason for the first time and is ready to learn how to navigate around and make informed decisions as they build their song. Parts 1-4 cover the GUI and the main instruments including synths samplers and drum machines. In the coming lessons we will look at the different types of effects (signal processing) and begin to mix our jam into a final product using the different mixing and mastering utilities available.
