UBK-1 v1.2.6 AAX VST x86 x64 WiN

Team R2R | 03 Mar 2019 | 5.9MB

PLATFORM : WiN32/64 – VST/AAX(MODiFiED)

The UBK-1 is a texturizing, dynamics-shaping animal of a plugin that will surprise and inspire you in ways that typically require expensive analog hardware, because it was painstakingly designed and meticulously tweaked for 18 months by an unapologetic analog snob. The heart of the UBK-1 is a ferocious Compressor that goes beyond mere transient shaping and into the realm of completely redefining the groove of your sounds. When it Saturates, it also softens any harsh digital edges and makes unruly or uninteresting tracks harmonically richer and easier to mix. Top it off with the mysterious Density engine, and the result is a color palette rife with highly musical textures and rich, euphonic distortions.

Ravage v1.0.1 WiN MAC

P2P | 25.11.2018 | 49.77 MB

AAX • Audio Units (AU) • VST • VST3

Get heated overdrive with added life and movement – choose from six types of distortion, shape your signal with filtering and gain, and modulate the results with custom-drawn LFO shapes. Select from six modelled distortion algorithms: Tube, Digital, Diode, Linear Fold, Zero Sq and Rectify, each with a different personality for adding grit and dirt to audio. Use the Drive control to push the signal harder, and use the Destroy parameter to fully smash up any audio. There are high- and low-pass filters onboard, as well as a Dark/Bright slider to weight the distortion’s energy. Animate your distortion in Ravage’s Movement panel, which lets you assign modulators to one of eight destinations including Drive and Pan. With draw-your-own modulator shapes, you can customize an LFO’s movement using nodes and curves to whip up customised patterns. To take your modulation further, Ravage offers playhead reversal, waveform smoothing and pulse width manipulation.

Velo2 v1.0.1 WiN MAC

TEAM R2R | 17th Feb 2019 | WiN: 5.3 MB | 22.8 MB

AAX, AU, VST, VST3, x86, x64

After the soaring success of the original Velo, we thought it only right to take things to the next level!! You asked for additional features and we listened! Velo2 has been reworked from the ground up with an improved algorithm and additional sonic features such as lookahead and oversampling, combined with a sleek new retina ready interface, making this update a must have for all producers. The Velo2 is a brick wall limiter for maximizing loudness that features different options to influence colouration and transient preservation. As Velo2’s adaptive release makes the plug-in react quickly to the incoming signal, it’s a well-suited limiter for mastering any style of rhythmical music with pronounced transients, along with bus-processing beats, drums and rhythmical bass, guitar and synth parts.

Kara v1.0.1 WiN MAC

Team R2R | Feb 17 2019 | WiN: 3.8 MB | OSX: 12.5 MB

• AAX • Audio Units (AU) • VST • VST3

We love pluck sounds…who doesn’t, but often when you start layering different sounds, you find yourself at the bottom of the rabbit hole with the laborious task of going into each synth and tweaking the envelopes to make each sound cohesive. As the KARA is an audio processor and receives no midi information, the first task was to find a way to trigger the cutoff envelope in a stable way. We achieved this by creating an RMS trigger that works much like a compressor, so when the signal hits the user definable threshold, which is set using the Sens parameter, the envelope and filter are triggered creating the pluck sound.

Hiku v1.0.1 WiN MAC

Team R2R | Feb 17 2019 | WiN: 6.5 MB | OSX: 33.3 MB

AAX, AU, VST, VST3, x86, x64

Punch, Warmth and Presence, instantly

Give your masters, buses or individual tracks extra polish with this smart effect. HIKU might only have three controls, but under the hood, there’s a precise mix of processing tailored to add warmth, power and clarity to any audio signal. As well as sounding great on single tracks or groups, HIKU is a vital stage in any mastering chain.

Double MS v1.0 WiN MAC

Team R2R | 15 Feb 2019 | WiN: 4.3 MB | MAC: 3.32 MB

PLATFORM: WiN64 – VST3/AAX(MODiFiED) | MacOSX – AU/VST3

Decode Double-MS Microphone Setups in Post Production

This plugin is calibrated for the Double M/S Microphone, but it will also work with any other Double M/S Mic Setup. It will provide optimal results only on tracks that have been recorded with a 3-microphone (Double M/S) setup. The “Double MS Tool” plugin decodes the three signals of the Double MS system. It creates a 5.0 Surround signal on the basis of three microphone signals. The plugin enables customized, intuitive decoding on a realtime WYSIWYG basis. With the plugin the spatial and timbral fidelity of the resulting 5.0 Surround signal can be optimally achieved.

Mono Upmix v1.0 WiN MAC

Team R2R | 15 Feb 2019 | WiN: 4.4 MB | MAC: 3.28 MB

PLATFORMS: WiN64 – VST3/AAX(MODiFiED) | MacOSX – AU/VST3

From Mono To Stereo & LCR

The Mono Upmix can generate Stereo and even LCR channels from any mono signal and works great on voices in Post Production, synth in music production, as well as bass, guitars, drum room mics, vocals, etc. It adaptively extracts the diffuse sound in the mono input signal to create an upmix signal. As the diffuse sound should always be reproduced decorrelated on different stereo channels, the up-mixed signal sounds more natural than the original mono track. The Mono Upmix is often superior to a reverb as it doesn’t add reverb but uses the present diffuse sound. Furthermore, it’s possible to control the perceived source distance and panning position by generating early reflections. The Mono Upmix plugin performs great with mono location sound dialogue as well as spot microphones in a music recording.