Spatifier v1.4 WiN MAC

Team R2R | 10 Aug 2020 | WiN: 6.9 MB | OSX: 16.2 MB

…::: AU, AAX, VST, VST3, x86, x64 :::…

Spatifier is a “mono to stereo” spatial enhancer AU and VST plugin for professional sound and music production applications. This plugin can be effectively used to turn mono tracks into spatially-enhanced stereo tracks: it works great for clean and distorted guitars, synth instruments, piano, organ, back vocals and other sounds. Beside that Spatifier can be used to “densify” the sound of reverb sends, and to add “body” to thin and flat sounds. Spatifier decorrelates the signal in the left and right channels while retaining the “mono compatibility”. Such decorrelation creates the “as wide as possible” surround effect. This effect can be usually used in place of double-tracking technique. The spatial impression can be adjusted in the range from the “in your face” direct to a distant reverby sound.

Midnight Plugin Suite v1.7 WiN MAC

TEAM R2R | Oct 13 2016 | WiN+OSX: 24 MB

Description: Focusrite’s new Midnight plug-in suite takes two of the most iconic Focusrite modules of all time – the ISA110 equaliser and ISA130 compressor; models their sound exactly with powerful DSP technology; and gives them elegant, functional on-screen front panels that make them simplicity itself to use. Now you can add that authentic, classic Focusrite sound to your own tracks at a price you can afford. Your productions have never sounded so good. The Midnight modules deliver incredible power, flexibility and a gorgeous sound that launched a thousand hits. If you’re looking to take your tracks to the next level, you need the best: in the past, maybe that step was beyond your reach. But now the power to give your productions that extra edge is within your grasp. Step into Midnight, from Focusrite. And don’t look back.

EBusLim v1.4.1 WiN MAC

Team R2R | 9 August 2020 | WiN: 6.8 MB | OSX: 15.6 MB

EBusLim is a brickwall peak limiter and loudness maximization AAX, AudioUnit and VST plugin for professional streaming, sound and music production applications. EBusLim implements a single EL-4-based limiter mode originally designed in Elephant mastering limiter plug-in. This mode is suitable for bus, drum bus, master bus and track processing. The design idea behind EBusLim is to produce an extremely easy-to-use yet effective limiter. Since EBusLim only features a single processing mode the processing latency was reduced down to 0.5 milliseconds permitting the use of this limiter as master bus overload protector for both stereo and multi-channel real-time applications.

LinPlug RMV v5.1.5 WiN MAC

TEAM R2R | 2015.02.06 | WiN: 36.94 MB | MAC: 16.63 MB

The RMV is a dream machine, but you need to try it to understand just how flexible it is, how intuitive and easy to use the interface is, how well the library system works. A wonderfull machine. RMV Drum Addiction Drum Synthesizer, Drum Sampler, Audio Loop Slicer and Drum Librarian for Windows. RMV is the result of many years of investigation and programming and a huge step forward from its predecessor, the RM IV.

Crunchessor v2.14 WiN MAC

Team R2R | 9 August 2020 | WiN: 6.6 MB | OSX: 15.5 MB

AAX, AU, VST, VST3, x86, x64

Crunchessor is a general-purpose track compressor for professional audio production applications. One of its main advantages is the ease of tuning, which at the same time instantly delivers an excellent sonic performance. Another remarkable feature of Crunchessor is its valve-type processing, which is applied in parallel to compression. This makes Crunchessor an ideal choice for musicians and producers who are fond of magesy analog compression sound and its warmness. Beside this, Crunchessor offers you a selection of compression coloration styles–by itself a pretty unique feature for a compressor. By choosing an appropriate coloration style, you can add the character most suitable for the sound material you are working with. As an option, you can disable both coloration and valve warming processing to get a neutral and clean compression sound. Crunchessor also accepts external side-chain source signals and allows you to filter key signal sources before they are used for compression. Being a general-purpose compressor, Crunchessor can be used for any kind of sound material: drums, vocals, bass, guitars, synth sounds, etc. Crunchessor can be suitable both for single track and whole mix processing. Full multi-channel operation is supported.

Drumformer v1.9 WiN MAC

Team R2R | 9 August 2020 | WiN: 7.8 MB | OSX: 18.4 MB

MultiBand Drum & Master Track Dynamics Processing Plug-in

Drumformer is a multiband drum and master track dynamics processing plug-in for professional music and audio production applications. Drumformer was designed to be a comprehensive solution for the broadest range of sound processing tasks, allowing you to easily implement almost any dynamics processing idea you may have. Drumformer can operate in broadband, 2-band and 3-band modes, with each band having compressor-expander and saturation modules. The sound of the compressor can be defined as “gluey with a ping”, because it instantly creates a “tight and glued together” sound while masterfully emphasizing the transients. The saturation module offers you a choice between six saturation modes, each having a smooth sound and differing harmonic content. Drumformer features a precise gate module with a round sound and multifaceted controls that is useful when you are processing a multi-tracked drum kit. The built-in parametric equalizer with its spectrum analyzer will also come in handy. The “Clipper” module which is a part of the plug-in allows you to get artistic master output clipping effects.

CRTIV Reverb v2.2 WiN MAC

Team R2R | 9 August 2020 | WiN: 5.9 MB | OSX: 14.3 MB

(AU,VST,VST3,AAX*,x86,x64)

CRTIV Reverb is a stereo reverberation effect AAX, AU and VST plugin for professional music production applications. This reverb plug-in provides a wide palette of reverb spaces while requiring only a minimal effort to use. The tails created by this reverb are very dense and produce a well-defined spatialization. Since the reverb uses a kind of “true stereo” algorithm the panned sounds receive a good stereo field placement.