4 powerful sound generators allow you to directly manipulate and automate the wavetable. Together with waveshaping, phase distortion and randomization tools, creating expressive sounds is effortless.
FiDef employs a highly specialized, patented process to create a custom noise profile that is tightly correlated to the source audio. The noise layer is sub-audible, but FiDef makes use of a phenomena that exploits the brain’s ability to make use of sub-audible noise to enhance the interpretation of sound. The noise layer also survives the encoding process to lossy formats, ensuring mixes uploaded to popular streaming services retain the sonic characteristics of the full resolution source.
Geist2 is a streamlined environment for beat creation and sound sculpting that provides instant inspiration and new ideas for your productions. It combines deep sample manipulation, arrangement and modulation capabilities for an intuitive and fast workflow. Geist2 is designed so that nothing gets in the way of your creativity.
Studio One® 4 was designed with ease of use at its core. It seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can bring musical ideas to sonic reality more quickly than ever before. An efficient, single-screen interface houses an unlimited number of tracks, intuitive editing tools, and advanced virtual instruments. Spend your precious time creating music instead of wondering what to click next. Studio One doesn’t dictate how you work or what you work on. Studio One is your creative companion from start to finish. The Start page provides what you need to kickstart your creative process—open projects, set parameters, and check for updates and tips. From there, the Song page is all about recording, arranging, editing, and mixing your music with a complete set of virtual instruments, effects, and groundbreaking arrangement tools. Then, assemble and master your music in the Project page. Even better, the Project and Song pages are linked so if you need just that one little change in your master or stems, switch to the Song page, tweak, and mix back automatically to the Project. No other program accomplishes such an effortless transition as you move from the initial creative inspiration to the finished, mastered production.
The digital world with its clarity and accuracy lacks some vibe from the old times. ‘Create a front door for every recording, and call it Front DAW, guys,’ said he, ‘so that every track would have a true analogue input.’ Thanks to him you can turn your DAW Mixer into a real Analogue Console.
A special feature of the BBCMP is that it enables the operator to split the incoming signal using the Low Pass and High Pass filters. These then allow you to apply processing (compression, limiting, expansion and gate) to each band independently. Once each band has been processed, the following signal pathway shows you how the separate bands are then summed to produce the final output. The great advantage of processing in this way is that you have full control over the extent to which the 2 bands are processed rather than only the summed signal being processed. This means that if, for example, the low end is strong and pushing the compressor to attenuate the signal when it comes into play, in a standard compressor the higher frequencies would also be compressed at these times. With the BBCMP you can separately control the low end and leave the high end relatively unprocessed, if that is what you need, or conversely deal with the high end and leave the low end with lesser processing.
As you know modulation audio effects are an important part of your mixing tools. They’re the special way to add creativities and groove to sounds. BaBel Mode 1976 effect was originally designed after vintage flanger, vibrato and chorus circuits. It has a few unique features that they were very famous during the 70’s and 80’s. BaBel Mode 1976 is an effective and easy-to-use vintage style Module. It sounds best on guitar, voice and synth tracks.
