SampleX Version 2 Brings you new features like – New LP/ HP Ladder resonant Filters, Stereo Width (imaging) Control (mono / M/S expander) & Our Dynamic Convolution System where we have sampled the real vintage samplers to get their exact sound at various levels. Standard Variable Sample Rate, Bitrate, and an Aliasing Control (Shift) are also present.
SLAM2 is designed to hide the complex and great-sounding processing behind the scenes and present a simple and inspiring Interface that is very intuitive and has all controls needed to “Phatten” Channel, Drums, Vocals, Synths, or an entire mix with just a few controls. Behind this simple interface lies very very complex processing.
Black Q is a 4 band Tube Eq with 2 modes of saturation. These are modeled from analog equipment featuring Sowter and Lundahl transformers and Various Tubes. A NEW AND IMPROVED VERSION OF BLACK Q – V2, NOW FEATURES OVERLAPPING BANDS AND NEW FREQUENCY RANGES AS WELL AS OVERSAMPLING FOR MORE “ANALOG” BEHAVIOR
Frostbite is a multi-effect plugin featuring Ring Modulator, Feedback, and Freeze modules. It’s aimed at ambience and cinematic music, but can also be used for extreme sonic experiments. The Signal Flow is flexible with 6 different combinations. The Ring Modulator multiplies your input signal with a Sine wave (with frequency up to 4kHz). You can also reduce the high-end with the Low Pass filter. The Feedback module features a delay function (up to 200 samples) which can be modulated by an LFO. The Freeze module features a Freeze effect that can hold the input up to 25 seconds. The Fade Out and High Pass controls can additionally shape the behaviour of the freezed sound.
Get a complete set of meters that can be customized and form fit to any session. Gain valuable perspective on any aspect of your mix, from loudness, intelligibility, spectral balance, and more. Whether you’re measuring loudness for broadcast compliance, ensuring clear dialogue for film, or managing a complex 7.1.2 Dolby Atmos session, Insight 2 is the metering tool for the job.
Underneath Pitch Monster’s streamlined exterior lurks an absolute beast, capable of 64 voices of sound-warping insanity. Transform a solo vocal into a beautiful choir or robotic melody; turn a mono synth into an orchestra, or your own familiar speaking voice into the rumbling vibrations of Thor, God of Thunder. With its granular, formant and robo-tastic vocoder engines, Pitch Monster goes far beyond ordinary pitch shifting. Realtime MIDI control, low latency and 8-voice polyphony mean that it can be played like an instrument. Pitch and time spread and randomisation functions turn ordinary sounds into the fantastical, whilst extreme formant shifting can not only alter the gender of a voice, but mutate it into an entirely different species! Just don’t turn the knobs too far. You don’t want to get it over-excited.
AmpliTube software has forged a formidable reputation over the years for offering a comprehensive array of digital tone-tweaking tools, but AmpliTube 5 promises to eclipse its predecessors with with a newly designed GUI that is fully scalable and supports Retina displays, an enhanced user experience, and more gear. A lot more gear. All in, there are 129 new models, making for a total of over 400 gear models in the AmpliTube 5 MAX version, plus cabinet section that has been retooled using IK Multimedia’s new Volumetric Impulse Response (VIR) technology, improving power amp/speaker cab interactions for more authentic tone and feel. The VIR tech was developed by measuring 600 IRs per speaker of every existing and new cabinet model, making for 143,000 IRs in total, allowing for a three-dimensional grid interface for mic placement. You can also now import and load your own IRs. Also new to AmpliTube 5, we’ve got an expanded, fully configurable signal chain that allows you to deploy a wet-dry-wet configuration and experiment with more complicated setups – series and parallel routing? Fill your boots.
