LF Max Punch v1.10 WiN MAC

Team R2R | 09 August 2020 | WiN: 6.8 MB | OSX: 15.8 MB

AU, AAX, VST, VST3, x86, x64

LF Max Punch is a professional audio effect plug-in for music and sounds where low-frequency thump and punch are most welcome, and where distortion is applied specifically to bring the bass sound to life. LF Max Punch provides a low-frequency effect specially designed for serious contemporary music producers offering them a convenient tool for applying a smooth punch and oomph to audio tracks and sounds. LF Max Punch plug-in dynamically emphasizes selected bass frequency band, applies a smooth saturation over it, and produces additional sub-harmonic content, with the ability to blend it with the original bass band sound. Optional compression can then be applied to the resulting low-frequency sound. LF Max Punch first splits the broad-band signal into low- and high-frequency bands and then applies the aforementioned effects to the lower band only.

OVC-128 v1.4 WiN MAC

Team R2R | 09 August 2020 | WiN: 6.6 MB | OSX: 15.8 MB

…::: AU, AAX, VST, VST3, x86, x64 :::…

OVC-128, a massively-oversampled soft/hard clipping effect plug-in for professional music production applications, available in AAX, AudioUnit, VST and VST3 plug-in formats (including native 64-bit support), for macOS (v10.7 and later), and Windows computers. OVC-128 is a massively-oversampled soft/hard clipping effect plug-in for professional music production applications. A common use for this plug-in is hard-clipping before the final peak limiter. This is an effective approach in contemporary electronic music when loudness is boosted using a clipper plug-in while minor excessive peaks are absorbed by a final peak limiter that applies no additional gain itself. Clipping the tracks via OVC-128 is practically similar to clipping using high-quality outboard analog gear. At 44.1kHz source sample rate, the internal audio sample rate of OVC-128 is a whopping 5.6 MHz!

Soniformer v3.11 WiN MAC

Team R2R | 09 August 2020| WiN: 7.5 MB | OSX: 18 MB

WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

Soniformer is a spectral mastering dynamics processor plug-in for professional music production applications.  During its operation, Soniformer splits incoming sound signal into 32 spectral bands.  This makes Soniformer a powerful and precise tool for mastering and sound restoration purposes.

Warmifier v2.4 WiN MAC

Team R2R | 09 August 2020 | WiN: 6.0 MB | OSX: 14 MB

Warmifier is a special plug-in for professional music production applications which processes audio signal in a way similar to analog valve equipment. By using Warmifier you can achieve valve warming and “console” coloration effects. Warmifier is applicable both to the complete mixes and to the individual instrument tracks. You have several parameters at your disposal that allow you to control the strength and the color of the effect. Also, you have several valve types to choose from. Each valve type offers a different overall coloration. While the effect of this plug-in is definitely subtle, the difference it makes is similar to the difference in sound between different analog mixing consoles. In most cases it boils down to adding a subtle “sparkle”, “presence”, “warming” or “solidifying” effect to a sound track it was applied to.

TransGainer 1.10 WiN MAC

Team R2R | 09 August 2020 | WiN: 6.8 MB | OSX: 15.9 MB

…::: AU, AAX, VST, VST3, x86, x64 :::…

TransGainer, an audio plug-in suitable for a wide range of professional music production uses, implements an audio signal envelope adjustment algorithm that reacts on transients rather than on a signal’s loudness level. This algorithm allows you to adjust volume of attack and sustain stages of any sounds you use it on. TransGainer was designed in a way to be suitable for all possible sound sources – be it individual tracks or full mixes. In many cases TransGainer can be used in place of gate and expander plug-ins while delivering a better sound and offering an easier control. Beside that, TransGainer can be used for audio recording restoration/re-mastering purposes and reverb tail modifications with excellent results.

OldSkoolVerb Plus v1.3 WiN MAC

Team R2R | 09 August 2020 | WiN: 6.4 MB | OSX: 15.6 MB

AU, AAX, VST, VST3, x86, x64

OldSkoolVerb Plus is an algorithmic reverberation plug-in for professional music production applications. This plug-in is an extended version of freeware OldSkoolVerb plug-in. OldSkoolVerb Plus plug-in implements a kind of “classic” stereo reverb algorithm which is technically simple yet optimal. It produces a very clear spatial image that blends well with the mix. OldSkoolVerb Plus offers you a comprehensive set of parameters permitting you to achieve various reverbs ranging from plate reverb to room reverb to hall reverb sound. OldSkoolVerb Plus is suited all kinds of sounds, both percussive, hard-attack sounds like drums and picked guitars, and soft-attack sounds like vocals, piano and pad sounds.

PHA-979 v2.8.0 WiN MAC

Team R2R | 09 August 2020 | WiN: 6.5 MB | OSX: 14.9 MB

PHA-979 is a professional audio AU and VST plugin which allows you to apply an arbitrary phase shift to sound material. What is meant by the phase shift here is simultaneous shifting of all frequencies across the active frequency range of the signal by the given value in degrees. This is achieved by linear-phase design. PHA-979 is useful during mixing sessions, especially when working with the sound material recorded through an array of microphones. In many cases this allows you to solve various phasing problems arising from the microphone placement chosen during the tracking session. In other cases this process may help you to align drums and other instruments to each other bringing punch and time coherence not attainable by the ordinary time-aligning alone. Beside the phase shifting, PHA-979 features positive and negative time delaying that eliminates the need to move in-track events in the sequencer when doing time alignment over any set of recorded tracks. PHA-979 also provides mid/side channel balance and panning controls that permit you to record stereo microphone pairs into a single stereo track without resorting to dual mono recording (on separate tracks) which usually becomes time-consuming in a further editing.