Amplifikation Clarent v1.0.0 WiN

Team R2R | 13 Jan 2021 | 443MB

PLATFORM: WiN32/64 – STANDALONE/VST/VST3/AAX(MODiFiED)

3rd gen Tube Simulation technology following the much hyped Amplifikation Caliburn and Matchlock. Amplifikation Clarent is inspired by Orange* amps and thanks to the 3rd gen Tube Simulation engine guarantees a more dynamic natural sounding, realistic amp recording experience for guitarists. There are no other guitar amplifiers other than Orange Amplifiers* whose looks and presence is as unique as its sounds. Instantly recognizable by its bright colorful appearance, delivering thunderous crunchy tone used by world class acts such as Fleetwood Mac*, The Black Crowes*, Oasis*, Mastodon*, High on Fire*, Slipknot*, Orianthi*, Deftones*, Korn*, and many others!

HQPlayer PRO v4.x.x WiN

TEAM R2R | 25 May 2022 | PRO: 87MB | DESKTOP: 151MB

HQPlayer Pro is a high-quality audio file converter, recorder, and player. HQPlayer features several user-selectable high-quality resamplers as well as user-selectable dither/noise shaping algorithms and delta-sigma modulators. It is mainly intended as a mastering post-production tool for producing high-quality final distribution files in various formats. Any of the supported source formats can be converted to any of the supported destination formats. For example, DXD intermediate format from Pyramix can be converted to both PCM and DSD outputs. Recording and playback are also supported in both PCM and SDM (DSD) formats. Playback feature also allows monitoring of final output format during conversion and recording, monitoring can be enabled/disabled on the fly. HQPlayer Pro also includes a pipeline matrix for performing channel routing, mixing and gain adjustments, including convolution engine for applying advanced equalization or other kinds of effects.

Gong Amp v1.0.0 WiN

Team R2R | 19 January 2022 | 38.8MB

The Resonance of Early Electronic Music

Gong Amp takes an exciting experimental amplifier from the beginnings of electronic music to the plugin world of today. In 1932, Maurice Martenot was looking for a way to make his groundbreaking proto-synthesizer “Ondes” audible beyond what could be archived with the horns and loudspeakers of the time. He developed a set of “diffuseurs”, of which the “Métallique” was one. Instead of a paper cone or horn, Martenot put a gong behind the amplifier circuitry. This seemingly simple idea resulted in resonances and brilliant overtones that excite audiences to this day.

Complexer 2 v2.0.5 WiN MAC LiNUX

Team R2R | 25 April 2022 | 16.16 MB

VST • VST3 • AU • AAX

Complexer 2 is a multi-stage dynamics processor, featuring three independently controlled dynamics processors, each with a choice of six different modes. Each of the three processors can be configured as an upward or downward compressor, an upward or downward expander, a limiter, or a gate. Complexer 2 offers four different arrangements for processing: serial/parallel chaining, stereo, mid/side, and multiband. Complexer 2 is a dynamics powerhouse, letting you take complete control of your track.

DeeQ v1.2.0 WiN MAC

Team R2R | 25 April 2022 | 16.52 MB

VST • VST3 • AU • AAX

DeeQ is a single-band dynamic EQ filter that automatically adjusts the parameters of the EQ based on the incoming envelope or an external sidechain.

Lowtility 2 v2.1.0 WiN MAC LiNUX

Team R2R | 25 April 2022 | 22.9 MB

VST • VST3 • AU • AAX

Lowtility is a stereo tool designed to control the low end of your mix. It features a variable-slope low pass filter, along with a separate section for finely tuning the stereo width of the bass frequencies. With the with stereo meters, you can visualise how the left and right channels interact, making sure you don’t have any phase-cancellation issues.

Maximal v2.3.0 WiN MAC LiNUX

Team R2R | 25 April 2022 | 19.88MB

VST • VST3 • AU • AAX

Loudness Maximizer / Brickwall Peak Limiter

Maximal 2 is a loudness maximiser, featuring an advanced lookahead peak limiter and analogue modelled saturation. The multi-stage limiter section features next-level lookahead, automatic makeup gain, and adaptive and responsive release. This plugin will smoothly limit any peaks in the audio, and automatically increase the overall level. The analogue modelled tape and tube saturation modes encompass all the best parts of the analogue world, without all the bad parts – such as high-frequency roll-off, hiss, wow and flutter. Using our adaptive release technology, you can simply tell Maximal 2 whether you want the limiter to be fast and loud, or slow and transparent, and it will do what’s needed inside. You can use Maximal 2 to catch rampant peaks in an audio recording, or you can use it to make your track phat and loud – it’s up to you how you push it.