Fermata Engine v2.1.2.0 WiN
Team R2R | 19 February 2024 | 3.9 MB
‘Plogue Fermata’ is our new framework.
Viewed 25511 By Music Producers & DJ´s.
‘Plogue Fermata’ is our new framework.
Alter/Ego (アルター・エゴ) is a real-time voice singing synthesis platform (VSTi/AU/RTAS/AAX64 plugin) by Plogue Art et Technologie, Inc. Alter/Ego has the same work-flow as chipspeech but is intended to host voice technology that is not strictly vintage. In other words, post-1990 published research. It is specially tailored for musical needs – simply type in your lyrics, and then play on your MIDI keyboard. It’s a true synthesizer, the sound can be extensively modified for easy and expressive performances. Voice banks come in various styles and licenses. Bones is the latest bank available and is also free.
The ARIA Engine is a 64-bit Sample/Synthesis Engine, It is based on the SFZ 1.0 / SFZ 2.0 open file formats for instrument programming and the Scala open file format to define scales and temperaments. The first software instrument in the ARIA engine was the Garritan Authorized Steinway Virtual Model D Piano Library, endorsed by and in cooperation with Steinway & Sons. Today, the ARIA Engine can be found in various software from Garritan, Plogue, AKAI, Sony, Microsoft and Makemusic.
Until recently most music software only allowed working with the same 12 notes, equally divided over an octave. Whilst microtuning additions have broadened this considerably, it can still be cumbersome to get all plugins and external synths in tune, until now… The MTS-ESP Suite equips composers with tools to get everything tuned quickly and accurately, as well as presenting entirely new compositional methods. Change notes or chords whilst they’re being played, transpose all instruments at once or morph into an entirely different tuning system – the possibilities are endless. Discover more about tuning and get detailed visual representations in real-time, or simply get everything tuned correctly in record time. The MTS-ESP Suite provides the computer musician with an intuitive toolset for rapidly composing and finessing microtonal pieces. Existing MIDI compositions can be easily converted to a different tuning system and given an entirely different emotional context. Working on new compositions is made nearly effortless.
The Ensoniq MR series of synthesisers was released in the mid 90s. A rack version and three keyboard versions were produced, all featuring a powerful synth engine able to create complex sounds consisting of up to 16 individual layers. To simplify operation, sounds could not be edited from the hardware, only via a software editor. This editor software allows the sound creation potential of the MR series to be unlocked using a modern computer, either running standalone or in any DAW supporting VST, VST3, AU or AAX plug-in formats. In addition to editing sounds, this editor features a bank manager for transferring and organising banks of sounds, a full performance editor (MR Rack only), a drum kit sound editor and the ability to send, save and recall insert FX presets and system parameter dumps.
The intent of the Fixed Filter Bank was to enhance the primary signal of the synthesizer, adding harmonics at specific frequencies or removing them at others. Some wanted completely new and never before heard sonic landscapes to push themselves and their audiences into new worlds of musical experience. Others wanted to create more traditional and familiar sounds, while still pushing the boundaries and making use of the new voltage controls, features, and character not available in a traditional “un-plugged” instrument. Some wanted both. Enter the new reimagined P915 MEDUSA Fixed Filter Bank. A filter which adds subtle or not so subtle resonances to the signal or removing frequency bands altogether. This process, when mixed in with the unaltered, “dry” signal, can mimic the actual behavior of a traditional instrument. It can also act on its own as a unique and creative source of sound shaping possibilities not available in other filter structures.
DS-10 is a transient shaper designed specifically for use with drums. The clutter-free interface lets you dial in just the right amount of punch in your drum mixes while three amazing algorithms provide great sounding results. Our powerful MOJO processor lets you shape the transients in specially chosen frequency bands while leaving other bands unaffected, opening up a world of exciting sound design possibilities. Unlike most other transient shaping products, the DS-10 Drum Shaper is built specifically for use with drums. By choosing to focus only on drums, we have been able to create a powerful plugin with a simple user interface that lets you tame transients and achieve perfectly punchy mixes in seconds.