Reason 11: Producing a Track

FANTASTiC | 21 February 2020 | 323 MB

Reason master brings you awesome Reason 11 production video tutorials! See how to utilize many of Reason 11’s new features and functions to build a killer electronic track from scratch, including effect and mixing tips & tricks. Reason Project session included! These videos are designed for intermediate Reason 11 users who know their way around the program. To begin, Paul greets you and then goes over the concept of using Blocks and the PolyStep sequencer to create quick arrangements and re-usable song sections, as well as to input sequences that would otherwise be too fast to play in realtime. Next, you’ll see how to craft Baseline and Pad parts for the song, including cool sound design ideas, and how to use Reason 11’s Automation features creatively. Moving on, you’ll learn program the drum parts by using extracted drum hits from REX loops to build a killer kit in Kong, as well as use the Drum Sequencer device to sequence Trap style hats alongside conventional note clips. You’ll then see how to design a basic patch in the included West Coast Modular synth, Complex 1, plus how to organize your project, and then test out the arrangement using the powerful Blocks lane feature.

Low End/Sub-Bass TUTORiAL

FANTASTiC | 22 February 2020 | 689 MB

Low End and Sub-Bass tutorials! Learn how to produce and engineer proper low end and sub-bass for your tracks and productions, creating impact and power. These sub bass production videos are designed to help you create a great bottom end for your songs, giving them a fat, tight sound. Adam welcomes you and first talks about the differences between Low End and Sub-Bass, then how to properly monitor the bass and make adjustments, helpful info on Pitch, Frequencies, and Harmonics, why layering bass isn’t always a good idea, making bass a mono signal, adding reverb to bass and other topics related to the low end. Next, Adam gets into tons of cool techniques like High Pass Filtering and ways to use it effectively but not destructively, creative ways to remove clicks from your tracks, using Sine Waves for bass, splitting your chords up and playing the lowest notes in unison for a higher sound, and much, much more.

Producing Hard Rock With Logic

Team DYNAMiCS | Oct 2010 | 1.88 GB

“Producing Hard Rock with Logic”. This in-depth series starts with nothing, and ends with a serious “Rawk’ n Roll” track as only Scott could do it. Throughout your musical journey with Scott and Logic 9, you’ll learn invaluable techniques and methods for creating killer guitar sounds, realistic drum parts, interesting arrangements, slick automation tips & tricks, vocal editing, sound effect creation and so much more. This series is focused on a hard rock track, but you can easily use the theories and principles on any genre production. The techniques and procedures shown are truly universal and will further expand your ever growing Logic 9 mind. Get your hands on “Producing Hard Rock with Logic” today…

Producing & Recording Guitar TUTORiAL

FANTASTiC | 13 March 2019 | 9.38 GB

Professional guitarist and producer breaks down the essence of getting great guitar tone and teaches you the tools and techniques for improving your productions, recordings and mixes. Take your electric guitar productions, recordings and tone to the next level There are many variables that can impact the tone and quality of a guitar recording. From setup, string gauge, amps and pickups, to processing, effects and miking techniques – we break down all of it with 9+ hours of in-depth training. You’ll learn how to effortlessly create incredible guitar tone and take your mixes, productions, performances and recordings to the next level.

Songwriting & Producing with Neo Soul

SYNTHiC4TE | Nov 09 2016 | 1.08 GB

In this video tutorial series, guru and vocal extraordinaire creation a groovy Neo Soul song from scratch, all the way to master mix using only Toontrack products and a DAW. Plus, the info can be applied to any genre too! The dynamic duo uses EZkeys, EZdrummer, Superior Drummer and EZmix to get the job done, along with the basic functions of Studio One. The info can be applied to any modern DAW, so everyone will get something from this series.

Ableton Live 10 Part 3 Editing & Producing

iLFSN | 06.03.2018 | 1.88 GB

3 Hours + Project Files

For years I’ve been teaching Ableton Live in the college classroom. As a University Professor, my classes are sought after, and, frankly, expensive. I believe Ableton Live can be learned by anyone, and cost shouldn’t be a barrier. This class uses the same outline and syllabus I’ve used in my college classes for years, at a fraction of the cost. This is Part 3: Editing & Producing: I will be making 6 (six!) complete classes in order to bring you the most comprehensive manual on Ableton Live production techniques ever created. Each class has Sets, sessions, and experiments for you to try on your own and follow along with. This is a really deep class – tons of content, tricks, and tips. I’m giving you a bunch of sessions to play around with. We are going to be covering how to produce using Ableton Live, starting from working with clips and going all the way up to some advanced production techniques.

Producing an Epic String Arrangement from Score TUTORiAL

ilfsn | 13.01.2018 | 3.5 Hours | 1.49 GB

Studio guru gives you an in-depth look at how to take a string arrangement composed in notation software and bring it to life inside your DAW using virtual instruments and more. Shot with Studio One and Notion, the ideas can also be applied to any DAW and score software! Marcus begins by welcoming you and discusses the intent behind the series, and reveals the track that will be featured. You’ll then get workflow tips and suggestions that will help when dealing with notation based score in your productions. Next, Marcus shows how to get the MIDI data from your notation software into your DAW, as well as how to import a MusicXML file created by another notation program and tweak it further. Marcus then imports the audio mix into Notion to develop the score further, and adds 3rd party virtual instruments for further sonic choices.