• V Collection 7 v7.2.1 WiN-R2R
    June 16th, 2021 ⚡

    V Collection 7 v7.2.1 WiN-R2R

    V Collection 7.2.1 WiN

    Team R2R | 08 Aug 2020 | 7.02 GB

    …::: VST, VSTi, VST3, AAX*, STANDALONE :::…

    The latest edition of V Collection: their flagship anthology of reimagined historic synths and keyboards. Containing 24 software instruments and thousands of preset sounds, V Collection 7 is billed as “the must-have reference for musicians, producers, sound designers, and keyboard fans”.


    Viewed 8871 By Music Producers & DJ´s.


  • SampleX v1.1.0 WiN MAC-RET
    June 16th, 2021 ⚡
    Categories:

    SampleX v1.1.0 WiN MAC-RET

    SampleX v1.1.0 WiN MAC

    Team RET | 11 Aug 2020 | WiN: 24.2 MB | OSX: 87.5 MB

    “Vintage Sampler Emulator”

    (Available in AU/VSTi/AAX – WiN/OSX)

    SampleX brings you accurately modeled vintage sampler emulation. Dial-in the sample rate, bit rate, aliasing, input drive and filter settings to sound like any sampler, or design your own! Multiple sampler emulation presets already included. In today’s advanced age of music tools that seek the “cleanest”, most “perfect” sounds, there has suddenly been a desire for the “Gritty” sounds of the machines of the past. Once such quest has been the acquisition of old, primitive samplers and sample drum machines like the EMU SP1200, AKAI s900/950, and others. This has increased the rate of these machines to 10s of thousands of dollars. The sound that producers and artists seek in these boxes is usually the low bit rates and sample rates resulting in an “aliased” sound or “artifacts” as we now call them. These limitations of the vintage machines have now become very desired and sought after sound. Just sample rate reduction and “Bit crushers” have yet to actually sound like old machines.


    Viewed 5287 By Music Producers & DJ´s.


  • Slap Bass v1.1 WiN MAC

    TALULA | 25 February 2020 | MAC: 9.57 GB | WiN: 6.36 GB

    Slap Bass was sampled from a Fender Jazz electric bass guitar with Carvin J99 pickups and DR Hi-Beam bass strings directly into a Radial Pro48 DI Box. An extended range was obtained by tuning the E-string all the way down to a C. The low B (B0) of a standard 5-string bass was omitted do to “floppiness” from down-tuning. “Slap” and “pop” articulations were carefully and meticulously recorded for each note, although in the extreme upper range of the bass, do to tension of the string, normal notes starts to become indistinguishable from a pop articulations. Regular notes were recorded with a guitar pick, in order to maintain a semi-percussive and metallic sound.


    Viewed 11463 By Music Producers & DJ´s.


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