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Acid Rack 2.0 is a small virtual analogue software synthesizer with following features: 5/(10*) voices polyphony, 2 oscillators with sync, fm and ringmod. 1 multimodefilter (LP, HP, BP), 3 envelopes (2x ADSR, 1x AD), 2 lfos (free/bpmsync), 1 host syncronized arpeggiator, 2 random generators (all/osc only), (for randomized sound patches).
Scanned Synth uses a unique new form of synthesis inspired by advances in digital music theory. It is designed to create rich complex digital tones and fantastic sound effects, while using simplifed controls and traditional synths techniques such as filters, lfo’s and effects. Scanned Synth Pro interface. Perfect for biting metallic growls, movement filled pads, and weird modular-like sound effects, ScannedSynth Pro provides a unique sound that is constantly changing and new every time you press a key. Featuring a revolutionary synthesis engine, combining the powers of both Physical Modelling and Wavetable synthesis, with simplified controls and full MIDI automation, ScannedSynth Pro is both simple and complex, powerful and easy to use. If you’ve heard enough of the same boring static sounds, if you’ve tired of the same old methods of synthesis, if don’t want to sound like everybody else– then download ScannedSynth Pro – a step beyond the clones.
It was always very difficult to make good sounding and stable 4/4 psytrance or trance bass that don’t have any unwanted clicks, random phase variations and overall instability. Psytrance Bass X1 changes everything! Now you can create very fast and easy, perfect sounding bass for following 4/4 dance music styles: psytrance, progressive trance, full on psytrance, dark psytrance / darkpsy, tech-trance, tech-house, acid, trance, uplifting trance, and also house or techno. Many producers were always curious how to create normal sounding psytrance/trance bass and were searching for various “magic” tutorials „how to create good psytrance bass“ using equalizers, compressors and special effects, because most of virtual analog/subtractive synthesizers produce unwanted clicks, they are having various phase and toning variations/instability and simply fast bassline sounds like from damaged jukebox.
Pentagon I gives you the warm, classic sound of the vintage analog synthesizers, combined with the fidelity and precision of virtual instruments. Pentagon I is powerful, and packed with features that offer uncompromised sound quality, with a comfortable and easy to use interface.
Another boring imitation of the classic 303 sound? No way! The Alien 303 synthesizer is primarily aimed at generating the ultimate psytrance bassline. Those hard punchy basslines which were always so difficult to create and fine-tune using any other synthesizer. We just made it simple! Even though the Alien 303 is based on the vintage 303 concept, it offers many more features. The audio spectrum of this synth has been designed to offer the musician possibilities that are totally different from the other solutions. The Alien 303 delivers sharper, fatter and tougher sounds with a crispness that comes straight out of the digital realm. Try the new features, like the precision of out special digital oscillators, the unison/chorus emulator or the extreme non-linear saturator.
Phonec is best described as an ‘analog flux synthesizer’. Inspired by the mystique of video logo synth scores from worn out VHS tapes, Phonec was primarily designed with character in mind. However Phonec is capable of producing a wide range of sounds such as vintage analogue tones, lo-fi synthscapes, ethereal pads, minimal techno sequences, and synthwave leads and basses. Phonec has an intuitive GUI that attempts to strike a balance between form and function, making it a very usable tool that can be a real inspiration to work with. Apart from it’s unique character and smooth workflow, Phonec has several interesting features that set it apart from the crowd.