L-Normalizer v.1.0.0 AU VST 32-64Bit MAC

C0PYL3FT3R | 07.07.2014 | | 3.7 MB

Affordable, cross-platform loudness normalizing tool

The L-Normalizer is an affordable, cross-platform loudness normalizing tool. This particular application can be very useful and helpful for audio engineers working in post production and broadcasting environments. The major two steps of the workflow consists in analyzing the audio material and rendering an improved one. If you choose to normalize your material, you can pick between program loudness or short term loudness if your materials are shorter than 30 seconds. Also, a True Peak Limiter is available with variable knee width, release time and true peak.

BC-Patchwork AU Skin by Cook

Team Cook | 02/07/2014 | 8.2 MB

For people who prefer lighter colors!

AnalogDelay v1.0.1 AU VST WiN MAC

TEAM HY2ROG3N | WiN & MAC | 2.83 MB

It consist in a delay unit followed by a 2nd order lowpass filter with saturation. The delay-time can evolve between 0 and max-delay which lets you be very accurate. You can also synchronise the delay to the tempo with different resolutions from 1/128 to 1 bar and control the way the delay-time is interpolated with the kind of interpolation and the time-constant.

SAWER v.1.1.5 AU VST VSTi STANDALONE MAC

Team UNION | June 24 2014 | 12 MB

Sawer is a vintage modelling synthesizer, that cuts through the mix to deliver precisely articulated and punchy sounds.
Sawer pays homage to the envelopes and filters of a rare 1980’s Soviet analog synthesizer, Polivoks. Maxx has devoted meticulous attention to the detail of Sawer’s filter and envelope designs, ensuring Sawer delivers a unique sonic character reminiscent of the Polivoks hardware. But Polivoks, like all analog synthesizers, wasn’t without its problems. Keeping the oscillators stable and in tune has been likened to ‘moving a pile of live frogs, by wheelbarrow’, impossible! As Sawer is algorithmic, this solves the problems of tuning and stability, however, in the same way electrical component instability makes analog gear unique (if not cranky), Sawer benefits from the 21st century equivalent, a coding error.While programming the SAW oscillator, Maxx accidentally set some incorrect variables and immediately the sound gained bass, acquired some light but pleasing noise on the attack and an overall richer sonic spectra. Maxx realized this was no mistake but a discovery and built on this, adding some frequency modulation to give it a touch of analog authenticity and so ‘Sawer’ was born.

PoiZone v2.3.6 MAC OSX-UNiON

Team UNiON | June 24 2014 | 12.2 MB

AU VST VSTi STANDLONE

PoiZone is a subtractive software synthesizer designed to bring you professional quality results, without a learning curve that hinders your creativity. The concept behind PoiZone was to design a synthesizer that had the smallest number of controls while providing the maximum flexibility and features. Useless knobs were ruthlessly removed so what remains is a UI where every knob counts. Once you have spent some time auditioning the preset patches we are sure you will agree that PoiZone packs a lot of punch in what appears to be a simple package, enjoy!

CurveEQ v3.3 AU VST VST3 MAC OSX

TEAM iND | June 22, 2014 | 128.4 MB

CurveEQ is a spline equalizer for professional music and audio production applications. CurveEQ shows you the actual filter response you are designing by means of a spline (a smooth curvy line), so you can actually see what the EQ is doing with the sound. This, in turn, allows you to get the best from your mix and your tracks. CurveEQ perfectly suits the needs of mastering, and in some cases CurveEQ is suitable for use as an in-track equalizer.

DVerberate v1.5.3 AU VST WiN MAC

Team R2R | June 18 2014 | WiN 5.2 MB | OSX 4.4 MB

The balance between direct sound and reverberation is essential for the acoustic quality of audio recordings. DVerberate is plug-in that can attenuate or boost the reverberation that is already present in recorded material.  The novel real-time algorithm works equally well with mono as with stereo recordings and splits the incoming audio into an estimation of the direct sound and the reverberated sound which can then be recombined freely. The improvement process can be monitored visually using the spectral representations of the input and output signal as well as of the estimated reverberation.