The DeepMind 12 Editor / Controller„ is an VST and Standalone controller for the Behringer Synthesizer DeepMind 12…
Sidechain Compressor is a flexible VST/AU compressor plug-in. It can be used as a regular channel strip compressor for clean crisp compression & limiting across a wide range of mixing jobs (e.g. adding punch to drum tracks or presence to vocals). For additional flexibility, the sidechain controls (Lo Cut/Hi Cut/Shape) let you customise the compression response. However, Sidechain Compressor’s real party trick is its Universal Sidechain section. This lets you easily do vocal ducking (standard vocal processing in radio production, to fade out music when a narrator is speaking) or add synchronised ducking effects to dance mixes (making your whole mix “pump” or “breathe” by following a kick drum). Universal Sidechains work in most multi-track applications, even those that do not directly support side-chaining. It only takes a few mouse clicks and you’re up and running!
Sidechain Gate lets you perform clever mixing techniques, by using a source track to gate a destination track. For example, you can use a complex hi-hat pattern in one track to rhythmically gate a synth pad in another track. Or simplify a busy bass guitar by gating it from a kick drum track (so the bass guitar is only heard when the kick drum sounds). Sidechain Gate also performs brilliantly as a conventional insert effect. The EQ and Shape controls allow you to intelligently gate problem recordings. Say you want to clean up a noisy recording of a snare drum, which has some bleed-through from a crash cymbal. Simply use the Hi Cut control to filter out the higher frequencies, and then the gate will only open when the snare is hit.
In celebration of Wvs’ 25th anniversary, we are pleased to announce a new version of Wvs plugins, Wvs V10. Update to V10 to future-proof your sessions, ensure continued compatibility, enjoy plugin updates and full technical support, and get new plugins added to premium bundles.
DeeLay Plus is an advanced delay plugin that can be used to create space, moving sounds and also weird effects. The core of the plugin are two separate delay units (called for convenience left and right) that can be routed to the left or the right channel independently, also the feedback of each unit can be cross-fed to the other one. The standard delay controls like feedback and delay time are provided and can be linked together for quicker use, you can also sync the delay time to the host tempo. DeeLay Plus gives you instant visual feedback thanks to the top waveform display that shows the input and output levels, those levels are also shown in the handy small peak meters next to the input and output knob so that you always have a meter close to your eyes when it matters.
Code Red is inspired by two versions of the classic, all tube, British console form the 1960s most closely associated with the sound of The Beatles. The original, “Pop” and “Classic”, EQs had fixed characteristic frequencies and Qs so we thought it would be nice to make the EQ fully adjustable. While we were at it we added two more mid bands and a high pass filter. Fear not, the original EQs are still available, as presets. Two preamp models, based on the full circuit simulation, accurately emulate preamps used in two versions of the original console this plug-in is based on.
A simple, powerful reference tool that allows you to switch between the audio you are working on and up to nine tracks in an instant – now at version 2. The concept behind Magic AB is simplicity itself – an easy-to-use but powerful utility plugin that allows you to switch between the audio you are working on in your DAW and up to nine reference tracks at the click of a mouse. With A/B referencing playing an essential part in production, mixing and mastering, AB offers an infinitely faster, easier and more accurate method to compare multiple audio streams to those currently available in any DAW.
