🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

  • ElectroNylon v1.0.0 WiN MAC-FLARE
    May 27th, 2021 ⚡
    Categories:

    ElectroNylon v1.0.0 WiN MAC-FLARE

    ElectroNylon v1.0.0 WiN MAC

    Team FLARE | 09 February 2021 | WiN: 49.8 MB | OSX: 42.1 MB

    .: AU, VSTi, x86, x64 & STANDALONE :.

    The first Nylon-Electric-Piano based on Spectral Transformation. ElectryNylon: A never-seen-before instrument based on REAL-TIME SPECTRAL TRANSFORMATION that will allow you to go from Nylon Guitar to an Electric Piano in real-time and just moving a slider. ElectroNylon is the first instrument of our Luthier-Series. A space for the creativity of our developers :) The spirit behind the Luthier Series is to bring to life crazy and impossible ideas, mixing sounds and behaviors from instruments we love. And making them playable and enjoyable virtual instruments ready to inspire you. ElectroNylon is the first creation of the series. A unique sound including finger noises, slides and many other details from a nylon guitar mixed with the vintage sound that a reed and tines electric piano can create.


    Viewed 6324 By Music Producers & DJ´s.


  • Markus 88 v1.5.2 WiN MAC-FLARE
    May 27th, 2021 ⚡
    Categories:

    Markus 88 v1.5.2 WiN MAC-FLARE

    Markus 88 v1.5.2 WiN MAC

    Team FLARE | 09 February 2021 | WiN: 19.5MB | OSX: 25.9 MB

    .: AU, VSTi, x86, x64 & STANDALONE :.

    The first Spectral Modeled Electric Piano based on real samples entirely rebuilt by modeling. Offering the real sound and feel of a Stage EP in just 25MB. SPECTRAL MODELED ELECTRIC PIANO: We decoded and analyzed a vintage electric piano sinewaves spectrum for every note and every velocity, and recreated it manually. When you play a note on Markus, the exact same sound for the original instrument will be generated (no samples involved) And we did it manually. Every single harmonic was tuned by ear. Like in acoustic piano tuning, the final touch is always made manually, and no tuning software or algorithm is able to replace that.


    Viewed 9990 By Music Producers & DJ´s.


  • Wiggle v1.1.9 AU VST VSTi WiN MAC-R2R
    May 27th, 2021 ⚡
    Categories:

    Wiggle v1.1.9 AU VST VSTi WiN MAC

    TEAM R2R | 22.03.2017 | WiN: 65.8 MB | OSX: 89.9 MB

    Expressive Sound

    4 powerful sound generators allow you to directly manipulate and automate the wavetable. Together with waveshaping, phase distortion and randomization tools, creating expressive sounds is effortless.


    Viewed 9404 By Music Producers & DJ´s.

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  • Klavee v1.1.7 WiN MAC-FLARE
    May 27th, 2021 ⚡
    Categories:

    Klavee v1.1.7 WiN MAC-FLARE

    Klavee v1.1.7 WiN MAC

    Team FLARE | 10 February 2021 | WiN: 33.8 MB | OSX: 29.7 MB

    .: AU, VSTi, x86, x64 & STANDALONE :.

    KLAVEE: RARE CZECH ELECTRIC PIANO, RESTORED.

    Klavee is the virtual restoration of a gem. The Czech Klaviphon. A plucked electric piano manufactured in the 60s in the Czech Republic. There’s no other Electric Piano like this one and it’s never been recreated into a virtual instrument, until now. A rare-piece specially made for electric piano collectors.


    Viewed 14205 By Music Producers & DJ´s.


  • Geist 2 v2.0.6.5 AU VST VSTi WiN MAC-R2R

    Geist 2 v2.6.0.5 WiN MAC

    Team R2R | August 11 2016 | 32.20 MB | Factory Content: 2.41 GB

    Geist2 is a streamlined environment for beat creation and sound sculpting that provides instant inspiration and new ideas for your productions. It combines deep sample manipulation, arrangement and modulation capabilities for an intuitive and fast workflow. Geist2 is designed so that nothing gets in the way of your creativity.


    Viewed 20944 By Music Producers & DJ´s.


  • Austrian Grand Piano v1.7

    P2P | 16.02.2020 | WiN: 4.07 GB | MAC: 6.09 GB

    ..:: AAX, AU, VSTi, 32Bit, 64Bit ::..

    Austrian Grand piano was sampled from a 100 year old Bruder Mikula Wien Austrian grand through a pair of AEA R84 ribbon microphones into an AEA TRP ribbon microphone preamp. Prior to recording, the piano’s hammer felts were sanded down to warm them up a bit. The piano was sampled in stereo under the lid, because that’s where the tone sounded best, at a sample rate of 44.1 kHz. It took many weeks to sample the piano entirely, as it was in such a state that most of the tuning pegs could no longer hold a pitch for any length of time. The piano was sampled labriously, with the softest to loudest dynamics being played, resulting in a library that can boast 10 velocity layers and 2 note round-robin.


    Viewed 10696 By Music Producers & DJ´s.


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