The library is based on 22 oriental percussion samples (Bongo) with tempo information. Each phrase is usually between 1,2 or 4 bars long. All phrases are played in the same tempo and can be easily combined with each other. This makes it easy to create a complete arrangement.
Ancient Greek Percussion is a fantastic collection of 6 deeply sampled hand percussion instruments that explore the oldest roots of Western musical traditions, stretching back thousands of years – and likely with roots that easily predate all of recorded history. This library features a Crotalum, Kymbalon, Sistrum, 15-inch Tympanon, 22-inch Tympanon, and Tympanon Zill. Crafted of wood, gut, goat skins and bronze, these rustic musical artifacts capture the sound and soul of classical Greek musical craftsmanship at its peak. Their influence has shaped modern frame drums, riqs, dafs, tambourines and finger cymbals.
The latest addition to the esteemed VIBES series: Post Punk! This collection draws from the simplicity of punk music tradition and its subsequent Avant Garde permutations to bring you a perfectly cohesive selection of instrument parts for 100% royalty free use in your music. This collection is full of the sonority and distortion that is analogous to punk and new wave music. Expect to hear overdriven guitars, snappy live drums, driving basslines and grooving percussion, all played with authentic hard expression and processed for maximum grit and edge. Guitars were recorded through 1973-1980 era pedals into valve amplifiers for harsher tones, whilst drums were faithfully played with heavy grooves that are characteristic of post punk. Fans of Public Image LTD, Blondie, The Clash, Killing Joke and many more will be sure to enjoy this one. With tempos between 135-155bpm, this collection will work perfectly with any post-punk or new wave-inspired music you’re working on.
In the world of electronic music we often hear producers talk about the ‘groove’ or ‘rhythm’ of a piece of music, especially when it comes to sequencing drums and percussion. If you have ever tried to sequence a shaker or tambourine line from static samples you will know that getting that ‘human feel’ can be difficult. Producers will often mix and layer sequenced drum hits with recorded live percussion to create ‘human-sounding’ drum tracks with more groove, life and energy… Afro-Latin percussion Volume 1 offers an impressive collection of acoustic percussion loops and organic rhythms, perfect for layering with existing one-shot drum hits or building percussive ensembles to add excitement and rhythm to your drum tracks.
This Sample pack was created by Keita Ogawa, a Grammy Award winning percussionist/Drummer who is working with some of the worlds Top artist like Yo-yo ma, Snarky Puppy and many more. This pack is about Unique Textures that you can use into various type of musical situations. These Textures include various types of Metallic, Wood, Glass, Nature Shells, Bird Whistles, Unique percussion instrument that are unique and rare.
Here you get all the layers that were created to build the Abstract Ambiences. By combining all the different with each other you get thousands possible surreal ambiences. This bundle offers you a collection of abstract and surreal ambiences, ready to be used in your next production. Wether in surround or stereo, this kit will be sure to please. The bundle offers a full mix, as well as a construction kit to mix and match the stems as you wish, giving you maximum flexibility in post production. Think of movies like “Alien”, “Event Horizon” “or games like “Dead Space”, “Doom” or “Bioshock”. But you will also get the right feel and idea for other disturbing-cyberpunk and unsettling industrial dark spaces.
We often find ourselves using objects around us to mimic real instruments, which are often made of combinations of different materials. This got us thinking; why not just use a single type of material to base new sounds on? We love a good challenge. And so Elements was born. This pack presented its own challenges, particularly when it came to making drums. Water on its own does not resonate as wood does. So we had to strike particular containers that let the sound of flowing water through, and not overwhelm. Elsewhere, tonal sounds would have been much too arduous to extract from our recordings, so we ended up choosing the most unique sounds as IR samples, and as grain samples in Madrona Labs Kaivo.
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