FULL Audio Releases 2-3.08.2020
Teams: P2P, FLARE, FANTASTiC | 2-3.08.2020 | 4.68 GB
26 New Releases: WAV, MiDi, PRESETS
This is: Trap, Hip Hop, RnB, Future RnB, Tropical and More…
Viewed 8583 By Music Producers & DJ´s.
Intense, rhythmic, energetic. This veritable display of drumming excellence by Jason Bowld underlines the fact that metal isn’t all about blast beats and rampant tempos – it’s about the groove as well. With a history in bands such as Pitchshifter, Bullet For My Valentine and Axewound, Jason has cemented a position as one of metal’s most solid and dynamic drummers. This goes to show in this versatile collection of grooves and fills. It takes you from basic, sturdy 4/4 beats and inventive double-bass patterns to finally combust in intricate 6/8 and 9/8 grooves – all infused by Jason’s highly energetic signature style and feel. In essence, great, solid mid to uptempo grooves for any modern metal song in need of an ironclad foundation.
This course will teach you the fundamentals of Deep House Music production using Logic Pro. The full course has more than 36 lectures, divided into 5 modules. Each chapter will give you a new level of knowledge in house music production. We’ll start from the basics with building drum kits, programming drums and writing chord progression to more advanced and the most popular techniques used in Deep house, such as Soulful chord progressions, deep stabs, chopped vocal delays and creating synth patches. At the end of each week, we will give you an assignment on “how to build a section of the track” using the skills you have learned. You might be asked to demonstrate in class your technique used for that process. The Logic project of each final project will be available for you to download as well. By the end of this course you will produce and arrange your own professional club-track
After countless requests for a “try before you buy” Cab Pack, York Audio is pleased to offer this limited version of the MES 212 V30 for a single dollar. For more complete information on this Cab Pack, please visit the product page for the Full Version. We understand the hesitation to try new IR companies in search for the tones we hear in our heads. And even though our impulse responses have been regarded as the most realistic in the industry by touring professionals, recording engineers, and top tier session players, it’s about time that YOU get to experience the clarity and realism for yourself and finally take the blanket off of your amp. This limited version will give you an idea of what we do here. And while the full version includes ten microphones with 79 single mic captures and 15 multi-mic Mixes (total of 94 IRs), this stripped down version features five microphones with 18 single mic captures and 5 multi-mic Mixes (total of 23 IRs) in order for you to give the York Audio experience a test drive. If you like what you hear, the Full Version will floor you with some of the best mics, captures, and mixes found in ANY York Audio Cab Pack to date. We hope you enjoy it!
The DXVB Verb Deluxe Cab Pack is based on a vintage 1966 “Blackface” Fender Deluxe Reverb with the original Oxford speaker. The tone has a warm low end and signature bell-like top end true to this classic amp. This Cab Pack features ten multi-mic mixes along with with five “ear-tuned” captures per microphone on various sweet spots on the speaker. Easy to use with instant vintage vibe at your fingertips.
The York Audio MES 412 TRAD Cab Pack is based on a Mesa™ “Traditional” 4×12 cabinet loaded with English made 70 watt Celestion™ Vintage 30’s. It’s the tighter, more aggressive brother to the Mesa “Oversized” 4×12. It has more pick attack and forward mids that pair especially well with modern high gain amps. This pack includes York Audio’s signature “ear-tuned” captures along with off-axis shots and 19 multi-mic mixes to cater to your specific guitar and amp combinations. It’s mean. It’s thick. It’s legendary.
Master the Art of Composing For Film and Learn To Find Gigs Doing It In this course, we will learn the essential techniques used in writing music for film. Through a series of analysis’ of well-known film scenes from your favorite movies we will learn what makes a great cue, and then apply those techniques by writing our own. I’ll be showing you some of my own projects for film and television throughout the class, and walk you through my process when composing music for a film project. By the end of this course, students will understand the tools, lingo, and techniques used in the film composing world and will be ready to dive in to their own projects. I’ll walk you through how to get started on your first project by using freely available movies that need a score.